Audio Watermarking and Fingerprinting: For Which Applications?

Although not a new issue, music piracy has acquired a new status in the digital era, as recordings can be easily copied and distributed. Watermarking has been proposed as a solution to this problem. It consists in embedding into the audio signal an inaudible mark containing copyright information. A...

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Veröffentlicht in:Journal of new music research 2003-03, Vol.32 (1), p.65-81
Hauptverfasser: Gomes, Leandro de C.T., Cano, Pedro, Gómez, Emilia, Bonnet, Madeleine, Batlle, Eloi
Format: Artikel
Sprache:eng
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Zusammenfassung:Although not a new issue, music piracy has acquired a new status in the digital era, as recordings can be easily copied and distributed. Watermarking has been proposed as a solution to this problem. It consists in embedding into the audio signal an inaudible mark containing copyright information. A different approach, called fingerprinting, consists in extracting a "fingerprint" from the audio signal. In association with a database, this fingerprint can be used to identify a recording, which is useful, for example, to monitor audio excerpts played by broadcasters and webcasters. There are far more applications to watermarking and fingerprinting. After a brief technical review, this article describes potential applications of both methodologies, showing which one is more suitable for each application.
ISSN:0929-8215
1744-5027
DOI:10.1076/jnmr.32.1.65.16803