Audio Watermarking and Fingerprinting: For Which Applications?
Although not a new issue, music piracy has acquired a new status in the digital era, as recordings can be easily copied and distributed. Watermarking has been proposed as a solution to this problem. It consists in embedding into the audio signal an inaudible mark containing copyright information. A...
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Veröffentlicht in: | Journal of new music research 2003-03, Vol.32 (1), p.65-81 |
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Format: | Artikel |
Sprache: | eng |
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Zusammenfassung: | Although not a new issue, music piracy has acquired a new status in the digital era, as recordings can be easily copied and distributed. Watermarking has been proposed as a solution to this problem. It consists in embedding into the audio signal an inaudible mark containing copyright information. A different approach, called fingerprinting, consists in extracting a "fingerprint" from the audio signal. In association with a database, this fingerprint can be used to identify a recording, which is useful, for example, to monitor audio excerpts played by broadcasters and webcasters. There are far more applications to watermarking and fingerprinting. After a brief technical review, this article describes potential applications of both methodologies, showing which one is more suitable for each application. |
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ISSN: | 0929-8215 1744-5027 |
DOI: | 10.1076/jnmr.32.1.65.16803 |