SVERRE FEHN: EL LUGAR COMO SOPORTE

[...]the end of 1970, it recuperates structural qualities in its formal definition, culminating in its masterpiece, the Hamar Museum. [...]in the 80's and 90's, in which an important review of Norwegian architecture was carried out, Fehn designed a synthesis with a powerful figurative identity and a precise articulation in the details: (Villa Busk in Bamble, in 1990; the Glaciers Museum in Faejerland, in 1991) until his last works. According to the authors, it was necessary to cut out several pieces and adjust them, which makes us think of the master when comparing how a sail is made, whose cut pieces at the end could cover a cathedral. [...]Fehn discovers that solving multiple problems can be done in place if judiciously observed.