An Absence of Time: Remarks on the Temporal Mode of Being in Royal Elamite Inscriptions

The surviving royal inscriptions from ancient Elam (in the south and southwest of modern Iran) speak of two historical characters who occupy particular positions outside physical time. These are Šilhaha (probably active in the early nineteenth century BC) and Princess Bar-Uli (in the second half of...

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Veröffentlicht in:CLARA 2022-11, Vol.9
Hauptverfasser: Jahangirfar, Milad, Dadashi, Iraj, Zavieh, Seyed Saeed Seyed Ahmadi
Format: Artikel
Sprache:eng
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Zusammenfassung:The surviving royal inscriptions from ancient Elam (in the south and southwest of modern Iran) speak of two historical characters who occupy particular positions outside physical time. These are Šilhaha (probably active in the early nineteenth century BC) and Princess Bar-Uli (in the second half of the twelfth century BC). Šilhaha became a prominent figure in Elamite history. His position is known through a legitimizing formula used by several subsequent rulers who claimed to be the ‘son of Šilhaha’s sister’. Thus, Šilhaha became a sempiternal being as his metaphysical existence was necessary for all the future kings who would make such a claim. However, his temporal mode of being changed from sempiternal to omnitemporal when he appeared in a curse formulated in the late twelfth century BC. In this curse, Šilhaha occupies a divine position. To appear in such a position means that his metaphysical existence would become necessary for the future both within and outside physical time. As for B/Par-Uli, she is called the ‘beloved daughter’ and ‘salvation’ of King Šilhak-Inšušinak I (conventionally 1150-1120 BC). Being her father’s ‘salvation’ denotes her role in this world and the hereafter. Moreover, her image, engraved in a mirror-like scene on a chalcedony bead, further emphasises her position and role. Drawing on the terms ‘temporal’, ‘sempiternal’ and ‘omnitemporal’, this paper examines the textual contexts to see how the shift in the temporal modes of being occurred. In the end, the image on the chalcedony bead will be briefly discussed.
ISSN:2464-3726
2464-3726
DOI:10.5617/clara.9934