The Borders of Europe A Roundtable Discussion

In response to the theme, The Borders of Europe, guest editors Sjoukje van der Meulen and Nathalie Zonnenberg invited four players in the cultural field to discuss the borders of Europe and the role of art and culture within the European project since 1992. All four participants in the discussion or...

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Veröffentlicht in:Stedelijk studies 2018, Vol.1
Hauptverfasser: Albrecht, Yoeri, Byvanck, Valentijn, Fijen, Hedwig, ten Thije, Steven, van der Meulen, Sjoukje, Zonnenberg, Nathalie, Schavemaker, Margriet, Schoutens, Esmee
Format: Artikel
Sprache:eng
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Zusammenfassung:In response to the theme, The Borders of Europe, guest editors Sjoukje van der Meulen and Nathalie Zonnenberg invited four players in the cultural field to discuss the borders of Europe and the role of art and culture within the European project since 1992. All four participants in the discussion organize cultural projects that center on or are related to Europe. In 2016 Yoeri Albrecht organized the first edition of the biannual Forum on European Culture in De Balie with DutchCulture. The forum offers thinkers and artists a platform to imagine the idea of Europe. In 2017, with Gijs Frieling and twenty artists, Valentijn Byvanck co-curated a joint artwork at Marres, The Painted Bird: Dreams and Nightmares of Europe. It involved painting 750 square meters of the historic building’s surface area, and was accompanied by a soundtrack. Hedwig Fijen is director of the European Biennial of Contemporary Art, Manifesta, which she founded in 1996; an exhibition that explores the changing DNA of the European climate, together with the underlying geopolitical and sociopolitical agenda, from the perspective of art and culture. Every two years the roving biennial takes place in a different location in Europe: from Rotterdam in 1996 to Zurich in 2016. Manifesta opens in Palermo in June 2018. Finally, Steven ten Thije is the project leader of the platform The Uses of Art – The Legacy of 1848 and 1989 (2013–2018), initiated by L’Internationale, a confederation of six European museums for modern and contemporary art. L’Internationale proposes a space for art within a non-hierarchical and decentralized internationalism, based on the values of difference and horizontal exchange among a constellation of cultural agents. With exhibitions, symposia, publications, education programs, and staff exchanges, L’Internationale seeks to foster a substantive, long-term partnership in the museum world.
ISSN:2405-7177
2405-7177
DOI:10.54533/StedStud.vol006.art02