Albert Gaudry et les vertébrés fossiles du Luberon. Histoire d'une collection de référence

Albert Gaudry and the fossil vertebrates from Luberon. The history of a reference collection. The collection of fossil vertebrates from Luberon on the one hand, and the description of the fossil animals from “Mont Léberon” by Gaudry, Fischer & Tournouër in 1873 on the other, played a major role in the emergence in France of what can be called evolutionary palaeontology. Gaudry decided to excavate the locality of Luberon (also called Cucuron) to compare its fauna to that of Pikermi described by him a few years before. In the section of the monograph devoted to vertebrates, Gaudry especially developed the biostratigraphical, paleobiogeographical, and evolutionary aspects of the fauna in a very modern manner. From the evolutionary viewpoint, Gaudry discussed the question of identifying chronological and/or geographical “races”, that is subspecies, and species. This genuine work is mainly based on the collection housed in the Muséum national d'Histoire naturelle, Paris (MNHN), so that both the monograph and the collection are milestones in the history of palaeontology. The fate of the collection since Gaudry's time is analyzed from the curators' viewpoint. The previous state of the fossils is described as well their restoration. The fossils were previously disseminated in several areas of the palaeontology building due to their different sizes. They are now located in one place opened for study and revision (a few is exhibited in the public gallery). The basic cleaning and restoration of the material was also associated with the taxonomic and geographic identification since several specimens studied by Gaudry had been in the past erroneously transferred to other localities such as Maragheh (Iran). One explanation, except previous poor curation, is the greyish colour due to dust, decades after decades, that makes the different late Miocene fossils of various localities look alike (and even from middle Miocene). One example is one exquisite cranium of Gazella deperdita (now MNHN.F.LUB681) figured by Gaudry in his monograph dated 1873, which bore other undue numbers with the MAR acronym for Maragheh (Maragha in the French litterature), and previously thought to be lost. Once cleaned, the specimens were restored and consolidated with an acrylic emulsion (a methyl methacrylate/n-butyl methacrylate polymer), with different concentrations depending on different operations. Generally speaking the collection was in a very bad state and numerous specimens figured by Gau