TEXT Reviews October 2019

Reviews pertinent to creative writing studies, including: Eugen Bacon, Writing Speculative Fiction review by Bronwyn Lovell Katja Hilevaara and Emily Orley (eds), The Creative Critic: Writing as/about Practice review by Amelia Walker Craig Batty and Zara Waldeback, Writing for the Screen: Creative and Critical Approaches, 2nd Editon review by Tom Drechsler-Savage Trent Hergenrader, Collaborative Worldbuilding for Writers and Gamers review by Pablo Muslera Jason Tougaw, The Elusive Brain: Literary Experiments in the Age of Neuroscience review by Jean-François Vernay Jean-François Vernay, The Seduction of Fiction: A Plea for Putting Emotions Back into Literary Interpretation review by Nataša Kampmark Julienne van Loon, The Thinking Woman review by Doris Pushpam David Carlin and Nicole Walker, The After-Normal: Brief, Alphabetical Essays on a Changing Planet and Lauren Berlant and Kathleen Stewart, The Hundreds review by Moya Costello Moya Lloyd, Butler and Ethics review by Maya Nitis Dallas Baker, Ghosts of Leigh and other plays review by Stayci Taylor Joshua Lobb, The Flight of Birds review by Lynette Washington Katharine Coles, Look Both Ways: A double journey along my grandmother’s far-flung path review by Jen Webb Robert Macfarlane, Underland: A Deep Time Journey review by Kevan Manwaring Lisa Bellear, Aboriginal Country review by Ali Cobby Eckermann Marion May Campbell, Third body and Jane Joritz-Nakagawa, Poems: New & Selected review by Dominique Hecq Dominique Hecq, After Cage and Jane Joritz-Nakagawa, review by Sarah Pearce Omar Sakr, The Lost Arabs and Paul Hetherington, Palace of Memory review by Simon-Peter Telford A Frances Johnson, Rendition for Harp & Kalashnikov review by Mags Webster Tricia Dearborn, Autobiochemistry and Shey Marque, Keeper of the Ritual review by Cassandra Atherton.