Left Ruins in Ethiopia: Imagining Otherwise Amid Necroepistemic Historiography

This essay uses the notion of necroepistemology to expose the killing of the other as executed by the neoliberal historiography in Ethiopia. Utilizing Fanonian negative dialectics, it critiques the ahistorical, immaterial, and reified object, as well as universal history, promoted by the official Ethiopian historiography’s absolute time, space, and matter. It does so to reveal the ways in which the enduring social questions and new imaginations are dismissed by this historiography as the work of the global-local left. To counterbalance this practice, I return to the 1974 Ethiopian socialist revolution and to the staging of Ethiopian socialism as a critical transnational rethinking of the human in the country. At the same time, attending to the everyday struggle of women performers in both the imperial and revolutionary spaces, the essay reminds us how the revolutionary practice, which had envisioned a new social human, ended up marking female performers’ bodies as dangerous for the socialist movement. Revealing the ways in which women performers collaborated with and fought against a male revolutionary figure, this essay ends with a call to respond to the current necroepistemic moment to draw attention to the historically vulnerable people who are dying in Ethiopia in the here and now.