Виртуальный мир новейшей русскоязычной драматургии

Contemporary Russian-language dramatic texts are both textual and inter-textual. In recent years, virtual space has increasingly become the subject of works.The texts begin to resemble Internet creativity, describing not so much real interper-sonal relationships as the activity of social networks us...

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Veröffentlicht in:Acta neophilologica (Olsztyn, Poland) Poland), 2022-06, Vol.2 (XXIV), p.215-232
1. Verfasser: Pieczyński, Maciej
Format: Artikel
Sprache:eng ; rus
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Zusammenfassung:Contemporary Russian-language dramatic texts are both textual and inter-textual. In recent years, virtual space has increasingly become the subject of works.The texts begin to resemble Internet creativity, describing not so much real interper-sonal relationships as the activity of social networks users. Dramatic texts cease to bea representation of the real, extra-linguistic world, as well as an image of the cultureassociated with this world, but increasingly create a simulation of reality in virtual space.These processes are described based on the example of plays by young Russian-speak-ing authors: Valery Pieczejkin, tester 1998, Alexander Seredin, and Alexei Bytiucki.The works in question were presented to a wide audience during subsequent editions ofthe Festival of Young Drama “Lubimowka”.
ISSN:1509-1619
2450-0852
DOI:10.31648/an.7806