Виртуальный мир новейшей русскоязычной драматургии
Contemporary Russian-language dramatic texts are both textual and inter-textual. In recent years, virtual space has increasingly become the subject of works.The texts begin to resemble Internet creativity, describing not so much real interper-sonal relationships as the activity of social networks us...
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Veröffentlicht in: | Acta neophilologica (Olsztyn, Poland) Poland), 2022-06, Vol.2 (XXIV), p.215-232 |
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Format: | Artikel |
Sprache: | eng ; rus |
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Online-Zugang: | Volltext |
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Zusammenfassung: | Contemporary Russian-language dramatic texts are both textual and inter-textual. In recent years, virtual space has increasingly become the subject of works.The texts begin to resemble Internet creativity, describing not so much real interper-sonal relationships as the activity of social networks users. Dramatic texts cease to bea representation of the real, extra-linguistic world, as well as an image of the cultureassociated with this world, but increasingly create a simulation of reality in virtual space.These processes are described based on the example of plays by young Russian-speak-ing authors: Valery Pieczejkin, tester 1998, Alexander Seredin, and Alexei Bytiucki.The works in question were presented to a wide audience during subsequent editions ofthe Festival of Young Drama “Lubimowka”. |
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ISSN: | 1509-1619 2450-0852 |
DOI: | 10.31648/an.7806 |