Grey Building Blocks and Brueghel: The Canvas of Romania Painted by Mircea Dinescu
“Prin oraşul păscut de tramvaie / unde grâul e doar musafir” (“In the city cropped by the tramways / where the wheat is only a host”): be it in the urban or the rural space (or in a combination of both), Mircea Dinescu shows the social and political history of Romania with a bittersweet, playful and...
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| Veröffentlicht in: | Acta Marisiensis. Seria Philologia (Online) 2020-09, Vol.2 (1), p.1-19 |
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| container_title | Acta Marisiensis. Seria Philologia (Online) |
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| creator | Chereches, Alexandra |
| description | “Prin oraşul păscut de tramvaie / unde grâul e doar musafir” (“In the city cropped by the tramways / where the wheat is only a host”): be it in the urban or the rural space (or in a combination of both), Mircea Dinescu shows the social and political history of Romania with a bittersweet, playful and scathing view. Among his stylistic achievements we can find the creation of a genuine poetic language that breaks in the Romanian literature at the end of the 20
th
century. In his verses, life and its contraries (death, dictatorships) come together in a mosaic that constantly engages in dialogue with painting, more precisely, with Brueghel. |
| doi_str_mv | 10.2478/amph-2022-0020 |
| format | Article |
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th
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th
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| title | Grey Building Blocks and Brueghel: The Canvas of Romania Painted by Mircea Dinescu |
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