Grey Building Blocks and Brueghel: The Canvas of Romania Painted by Mircea Dinescu
“Prin oraşul păscut de tramvaie / unde grâul e doar musafir” (“In the city cropped by the tramways / where the wheat is only a host”): be it in the urban or the rural space (or in a combination of both), Mircea Dinescu shows the social and political history of Romania with a bittersweet, playful and...
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Veröffentlicht in: | Acta Marisiensis. Seria Philologia (Online) 2020-09, Vol.2 (1), p.1-19 |
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Format: | Artikel |
Sprache: | eng |
Online-Zugang: | Volltext |
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Zusammenfassung: | “Prin oraşul păscut de tramvaie / unde grâul e doar musafir” (“In the city cropped by the tramways / where the wheat is only a host”): be it in the urban or the rural space (or in a combination of both), Mircea Dinescu shows the social and political history of Romania with a bittersweet, playful and scathing view. Among his stylistic achievements we can find the creation of a genuine poetic language that breaks in the Romanian literature at the end of the 20
th
century. In his verses, life and its contraries (death, dictatorships) come together in a mosaic that constantly engages in dialogue with painting, more precisely, with Brueghel. |
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ISSN: | 2668-9596 2668-9596 |
DOI: | 10.2478/amph-2022-0020 |