Im Spiegel des Prinzen . Fanny Lewalds auto/biographische Selbstreflexionen als Jüdin in »Prinz Louis Ferdinand« (1849)

This paper focusses on Fanny Lewald’s historical novel »Prinz Louis Ferdinand« of 1849. I examine the biographical as well as cultural-historical circumstances of the work’s genesis. Lewald clearly intended it as a critique of Prussian history, but at the same time the work’s focal point turns out t...

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Veröffentlicht in:Aschkenas 2023-11, Vol.33 (2), p.245-257
1. Verfasser: Michaelis-König, Andree
Format: Artikel
Sprache:eng ; ger
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Zusammenfassung:This paper focusses on Fanny Lewald’s historical novel »Prinz Louis Ferdinand« of 1849. I examine the biographical as well as cultural-historical circumstances of the work’s genesis. Lewald clearly intended it as a critique of Prussian history, but at the same time the work’s focal point turns out to be a quite personal, female perspective. This perspective is mirrored in the prince’s experiences of loss and powerlessness. This leads me to explore the poetological dimensions of a writing in which the figure of the Prussian prince becomes a prismatic center of Lewald’s self-reflection. Here, the figure of Rahel Levin, as prominently portrayed by Lewald in her novel, plays a special role. It is precisely in her that the author’s interest in the political position of the Jewess in her as well as in Rahel Levin’s time becomes apparent.
ISSN:1016-4987
1865-9438
DOI:10.1515/asch-2023-2011