Determining the level of usability the techniques of the Western music violin performer for the field of Turkish music violin teaching: Batı müziği keman icracılığı tekniklerinin Türk müziği keman öğretimi alanında kullanılabilirlik düzeylerinin belirlenmesi

This work has been made in order to see how much the techniques are useful at West music playing violin on teaching Turkish music playing violin. Studying group was formed by the graduate students (n=8) who attends Kafkas University State Conservatory Traditional Turkish Music during Autumn- sprig term. Experimental value which contains pre test and final test groups is used in the investigation. The investigation consists of control groups (n=4) and experience groups (n=4). During the experimental process which lasted 8 weeks, Although experience group students were applied a teaching programme which was prepared by the researcher, control group students were applied traditional teaching methods. At the first stage of experimental process equivalance test and then pre test – post test was applied to them. In order to designate musical and technical skills of working group students, performance evaluation scale was used with expert opinions. There was a kind of song during the equivalance test. There were peşrev, saz semâi and a kind of song during the pre test and post test precess. Student`s instrument performance was recorded by a camera and then marked by experts. In order to analyze the datas, Mann – Whitney U Test was used to see whether there was a huge difference between pre test and final test between control and experiment groups. Datas were analyzed by using “SPSS 20” pocket programme. Considering the outcomes as a whole, we can conclude that the teaching programme which was prepared by the researcher is effective and good outcomes arised. ​Extended English summary is in the end of Full Text PDF (TURKISH) file. Özet Bu çalışma, Batı müziği keman çalım tekniklerinin Türk müziği keman öğretimi alanında kullanılmasının öğrenciler üzerinde ne derece etkili olduğunu belirlemek amacıyla gerçekleştirilmiştir. Araştırmanın çalışma grubu, 2015 – 2016 eğitim – öğretim yılı güz – bahar yarıyılında Kafkas Üniversitesi Devlet Konservatuvarı Geleneksel Türk Müziği Bölümünde öğrenim gören lisans öğrencileri (n=8) tarafından oluşturulmuştur. Araştırmada ön test ve son test kontrol gruplu deneysel desen kullanılmıştır. Çalışma grubu öğrencileri yansız atama yoluyla kontrol grubu (n=4) ve deney grubu (n=4) olarak belirlenmiştir. Sekiz haftalık süreci kapsayan deneysel işlem süreci içerisinde deney grubu öğrencilerine araştırmacı tarafından hazırlanan bir öğretim yaklaşımı uygulanırken kontrol grubu ile dersler geleneksel yöntemlerle sürdürülmüştür. Deneysel işl