Dynamic intersemiosis as a humour-enacting trigger in a tourist video

This article seeks to explore the use of multiple semiotic resources in a multimodal text, namely a YouTube video on the Hans Brinker Budget Hotel in Amsterdam. More specifically, it observes how dynamic intersemiosis is adopted for humorous meaning-making and with an ultimate promotional function....

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Veröffentlicht in:Visual communication (London, England) England), 2017-11, Vol.16 (4), p.395-425
1. Verfasser: Francesconi, Sabrina
Format: Artikel
Sprache:eng
Online-Zugang:Volltext
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Zusammenfassung:This article seeks to explore the use of multiple semiotic resources in a multimodal text, namely a YouTube video on the Hans Brinker Budget Hotel in Amsterdam. More specifically, it observes how dynamic intersemiosis is adopted for humorous meaning-making and with an ultimate promotional function. First, it is here claimed that dynamic intersemiosis acts as the humour-enacting trigger enabling script shift, i.e. the semantic process of frame reversal inherent in humour generation. Then, multimodally expressed humour is discussed as performing a parody of similar tourism and eco-tourism texts and of the specialized language they adopt. The questions raised are: How do dynamic images and the soundscape combine in terms of congruence and dissonance? How does intersemiosis act as a humour-enacting trigger in the multimodal artefact? How does multimodally expressed humour position the Hans Brinker Hotel within a tourism discourse? How and why is the parody of promotional (eco)-tourism videos realized?
ISSN:1470-3572
1741-3214
DOI:10.1177/1470357217716378