The Visual Culture of the Revolutionary Processes of Latin America in the Islamic Revolution of Iran: The Street and the Studio

Abstract This article delves into the artistic production of a group of Iranian painters whose work is considered revolutionary art. It shows how the murals and canvases painted during the early revolution of 1978-1979 in Iran were influenced by the visual culture of the revolutionary movements in Latin America. The study brings to light an overlooked aspect of the Global South revolutions during the Long Global Sixties. It supports the idea that the 1978-1979 "Islamic" revolution was chiefly a revolution against a dictatorship also driven by groups inspired by leftist ideology and iconography. These groups, consisting mainly of younger revolutionaries, were motivated by ideals like solidarity, anti-imperialism, anti-capitalism, internationalism, and Third World relations.