Simulating tonic activations in speech production

Studies of speech production have often focused on transient events—those that happen over short temporal intervals. We know, however, that speech is made up of movements that can be distributed over longer durations as well (e.g., tongue bracing, oralization, articulatory setting, laryngeal state,...

Ausführliche Beschreibung

Gespeichert in:
Bibliographische Detailangaben
Veröffentlicht in:The Journal of the Acoustical Society of America 2019-10, Vol.146 (4), p.3086-3087
Hauptverfasser: Gick, Bryan, Mayer, Connor
Format: Artikel
Sprache:eng
Online-Zugang:Volltext
Tags: Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
Beschreibung
Zusammenfassung:Studies of speech production have often focused on transient events—those that happen over short temporal intervals. We know, however, that speech is made up of movements that can be distributed over longer durations as well (e.g., tongue bracing, oralization, articulatory setting, laryngeal state, harmony, etc.). Such events, which involve maintaining continuous activation of a particular muscle group tonically over a long duration, have often been treated as qualitatively different from transient speech events. The present study considers examples of these types of movements in speech and non-speech (e.g., emotion expression, posture, etc.) domains. Biomechanical simulations are used to show how tonic activations operate on the same principles as transient ones (except for the difference in duration), and to show how tonic activations can overlap with multiple other activations—whether transient or tonic—through superposition [Bizzi et al. Science 253, 5017 (1991)]. This work aims to show how these previously anomalous kinds of movements fit seamlessly into broader theories of movement and speech. [Funding from NIH Grant DC-002717 and NSERC RGPIN-2015-05099.]
ISSN:0001-4966
1520-8524
DOI:10.1121/1.5137725