Critical ratio for tones, modulated tones and noise, and speech
The critical ratio (CR) is a very basic concept first introduced in 1930 [Fletcher and Munson, (1933)], but rarely studied today. In this study we have remeasured the CR for a host of signals, including long duration tones, AM modulated tones at various modulation depths, at 3 Hz modulation, at seve...
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Veröffentlicht in: | The Journal of the Acoustical Society of America 2005-09, Vol.118 (3_Supplement), p.1894-1894 |
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Hauptverfasser: | , |
Format: | Artikel |
Sprache: | eng |
Online-Zugang: | Volltext |
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Zusammenfassung: | The critical ratio (CR) is a very basic concept first introduced in 1930 [Fletcher and Munson, (1933)], but rarely studied today. In this study we have remeasured the CR for a host of signals, including long duration tones, AM modulated tones at various modulation depths, at 3 Hz modulation, at several levels, modulated noise at two modulation depths levels, and speech signals of several bandwidths. A simple peak detection model explains most of the data. Some subject differences are also of interest. |
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ISSN: | 0001-4966 1520-8524 |
DOI: | 10.1121/1.4779732 |