The songs of Tlaloc: Interference of ten ceramical duct flutes, Offering 89 of the Aztec Templo Mayor

Among the many preserved sound artefacts deposited in the offerings of the Aztec Templo Mayor are a set of ten tubular duct flutes made from clay, dating Late Postclassic Mesoamerica, 1350–1521 AD. The aerophones are completely painted in blue, and characterized by: (1) a short mouthpiece; (2) a framed aperture; (3) a tube with four fingerholes; and (4) an applicated mask with features of the Aztec rain god Tlaloc, basically three rings and a standardized relief structure of two clouds. While all measurements follow the same pattern, one particular organological distinction was made, as five flutes show an exit hole in the middle ring of the mask and five flutes are stopped. Thus, five instruments sound considerably higher, apart from the minimal pitch deviation of each specimen. Both the tonal capacity of each flute and the acoustics of several flutes played simultaneously were recorded and measured. A series of remarkable interference effects could be produced, which were strongly related to the ritual complex reflected in the offering. Taking in consideration the Aztec concept of music, it could be supposed that they were perceived as a principle of the song, or proper voice of Tlaloc.