Zero Dark Thirty: international law, film and representation

This article explores the relationship between film and international law by reference to the feature film Zero Dark Thirty (2012). The authors examine this film in the context of international law, while also considering related questions of genre, torture, gender and targeted killing.

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Veröffentlicht in:London review of international law 2015-09, Vol.3 (2), p.295-318
Hauptverfasser: Joyce, Daniel, Simm, Gabrielle
Format: Artikel
Sprache:eng
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Zusammenfassung:This article explores the relationship between film and international law by reference to the feature film Zero Dark Thirty (2012). The authors examine this film in the context of international law, while also considering related questions of genre, torture, gender and targeted killing.
ISSN:2050-6325
2050-6333
DOI:10.1093/lril/lrv015