Du Fu’s conspicuous negativity and Li Bai’s hidden positivity: a sentiment comparison and exploration

In the studies of classical Chinese poetry, the comparison between Li Bai and Du Fu is an everlasting topic, yielding many qualitative interpretations, among which a widely known but disputable one is Li’s positivity versus Du’s negativity. With the development of digital means, distant reading has become possible, and the sentiment issue can be further explored in quantitative ways. This research conducts a corpus-based sentiment comparison of Li and Du with a self-constructed sentiment dictionary. The Complete Collection of Tang Poems is used as a representative of Tang poets, and sentiment comparisons are made at the levels of poems, verses, and characters, as well as key characters extracted with the log-likelihood measure. Analyses show that (1) among Tang poets, Du is more negative at all of the above textual levels, while Li is only more positive at the key character level, proving the importance of key characters in readers’ perception of sentiment; (2) Li and Du both stand out among Tang poets with a negative depiction of the dark reality and a positive expression of grand ideals; and (3) Li’s positivity is largely embodied in his depictions of color, light, and temperature, while Du’s negativity is closely related to his psychological description. To conclude, this research has not only determined the sentiment difference between Li and Du but also located its sources in texts with a novel key character-based sentiment analysis approach. Keywords: