Ad Singularitatem : Multiplicity, Commonplaced Selves, and Miscellanies in Siri Hustvedt’s The Blazing World
This essay focuses on the intertextual engagement of Siri Hustvedt’s The Blazing World with Margaret Cavendish’s seventeenth-century fiction. Going beyond a single-text reading, the essay argues that Hustvedt’s critical interventions in the making of a woman’s subjectivity—paratextual and intermedia...
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Veröffentlicht in: | Contemporary women's writing 2021-08, Vol.15 (1), p.52-71 |
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Format: | Artikel |
Sprache: | eng |
Online-Zugang: | Volltext |
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Zusammenfassung: | This essay focuses on the intertextual engagement of Siri Hustvedt’s The Blazing World with Margaret Cavendish’s seventeenth-century fiction. Going beyond a single-text reading, the essay argues that Hustvedt’s critical interventions in the making of a woman’s subjectivity—paratextual and intermedial—are informed by early modern manuscript culture and ekphrasis. As commonplacing affords opportunities for a compiler to assume plural voices, the commonplace books created by Burden, the protagonist, present a nuanced unfolding of a woman’s subjectivity on textual and visual levels. Notably, Burden’s self-fashioning and ensuing self-dissolution are prompted by deep-seated anger. Hustvedt, even in the face of her protagonist’s tragic end, celebrates the multiplicity that attends a woman’s heroic journey in attaining singularity. |
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ISSN: | 1754-1476 1754-1476 |
DOI: | 10.1093/cww/vpab009 |