Dendrochronological analysis of an English chest: Contributing to knowledge about wood supply and chest production in 16th century England

•An English chest of hybrid construction with linenfold panels has been researched.•Description as made of Baltic oak is proven faulty; mid-16th century date is correct.•Non-invasive dendrochronology demonstrates English origin of the structural boards.•Scarcity of research on chests from this period highlights relevance of this study.•The ‘Marks on Wood’ community has been created in Zenodo and is presented here. Historic furniture has a great ethnographic and historical value, as styles and designs responded to specific uses, fashion trends and the social status of the buyer or the commissioner. Placing it in an exact chronological and geographical production context increases our knowledge about preferences for materials, designs, and woodworking practices for household commodities. Here we present the results of dendrochronological research carried out on an English chest from a private collection. The chest is of a hybrid construction, with boarded sides and back, and a joined front with four carved linenfold panels. It had been described as made of Baltic oak and dating to the mid-16th century, a crucial transition period for which only a few early chests have been analysed. Our results demonstrate, however, that the wood from the lid, side boards and back originates from the south of England. Heartwood/sapwood border in the left side board has allowed an estimated felling date for the tree of between 1520 and 1552. Terminus post quem dates of the rest of the elements pre-dating this interval indicate that the chest was likely made in the second quarter of the 16th century, as initially described. Three linenfold panels show typical features of Baltic wood, whereas the fourth one has different characteristics and could have been made with English oak, but the lack of access to the tree-ring patterns hampers verifying this hypothesis. Mixture of provenances suggests a production workshop in London, although other town in the south with a major timber market cannot be discarded. The construction features are described, and two distinct marks found in the chest are discussed in the regional context of its production. To allow the compilation and inventory of such marks, the ‘Marks on Wood’ community has been created in Zenodo and is presented here.