Review 1

Following La Revanche des émotions (2008) and La Fin des musées (2013), Catherine Grenier published an essay entitled La Manipulation des images dans l’art contemporain in 2014. A custodian, art historian and curator of numerous and prestigious exhibitions, the author of this reasonably-sized book (192 p.) puts her expertise to the service of a dual aim: to make an assessment of genuine contemporary art (from the 1990s to the present) and bring out the specificity and coherence of an artistic...