Odcieleśnione ciało w filmie Nakarmić kruki Carlosa Saury
This article aims at providing an analysis of Carlos Saura’s Cria Cuervos [Raise ravens, 1976], focused mainly on the temporal and spatial structures of the film. It explores the dimensions of bodily presence, especially the means of representing spectral body in cinematic image.
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| Veröffentlicht in: | Images (Gniezno, Poland) Poland), 2019-10, Vol.25 (34), p.180-188 |
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| 1. Verfasser: | |
| Format: | Artikel |
| Sprache: | eng ; pol |
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| Online-Zugang: | Volltext |
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| Zusammenfassung: | This article aims at providing an analysis of Carlos Saura’s Cria Cuervos [Raise ravens, 1976], focused mainly on the temporal and spatial structures of the film. It explores the dimensions of bodily presence, especially the means of representing spectral body in cinematic image. |
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| ISSN: | 1731-450X |
| DOI: | 10.14746/I.2019.34.13 |