ОПЕРА І. ДЗЕРЖИНСЬКОГО «ТИХИЙ ДОН» У СЦЕНІЧНОМУ РІШЕННІ Д. ГНАТЮКА

The purpose of the article. The purpose of the study is determined by the isolation of the creative biography of the artist in a separate plane of research with the mandatory fixing in the coordinates of the socio-cultural context. The vector of the chosen study is one of the stages of the creative formation of D.M. Gnatyuk - the period of his directorial practice. Focusing on the production of the opera «Quiet Don» by I. Dzerzhinsky, we have the opportunity to analyze the communicative system of the mid-twentieth century objectively. The methodology of the research is to apply historical and cultural methods, which makes it possible to examine the formation of a creative person in the context of socio-cultural dynamics of Ukraine.