Соната «Пам’яті Боккеріні» М. Кастельнуово-Тедеско: неокласичні риси гітарної творчості

The purpose of the article. In the article neoclassical features of the guitar creativity of the famous Italian composer of the first half of the twentieth century Mario Castelnuovo-Tedesco are revealed. The methodology is based on the use of historical, phenomenological, comparative, structural-functional methods that allow us to embrace the discourse in the context of the creative searches of a musician. The scientific novelty of the study lies in the phenomenological approach to the analysis of the guitar work by M. Castelnuovo-Tedesco, not studied in Ukrainian musicology. Conclusions. The original author’s intentions were noted on the example of the sonata «Homage to Boccherini» for solo guitar in the original version and the edition of Andres Segovia. Appeal to the genre and style features of guitar quintets by Luigi Boccherini typical for neoclassicism is traced.