ДЕТСКИЙ АЛЬБОМ ДЛЯ ФОРТЕПИАНО В ТВОРЧЕСТВЕ МОЛДАВСКИХ КОМПОЗИТОРОВ

The author of the article examines piano works dedicated to children written by Moldovan composers from the point ofview of their use in the piano educational practice as children’s cycles (albums and suites consisting of piano miniatures). Formany Moldovan composers (L. Gurov, S. Lobel, v. Rotaru,...

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Veröffentlicht in:Studiul Artelor şi Culturologie: istorie, teorie, practică (Online) teorie, practică (Online), 2018 (1(32)), p.27-32
1. Verfasser: Gupalova, Elena
Format: Artikel
Sprache:rus
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Zusammenfassung:The author of the article examines piano works dedicated to children written by Moldovan composers from the point ofview of their use in the piano educational practice as children’s cycles (albums and suites consisting of piano miniatures). Formany Moldovan composers (L. Gurov, S. Lobel, v. Rotaru, Z. Tkach, A. Mulyar, B. Dubossarsky, O. Negrutsa, G. Ciobanu,etc.) the work on piano miniatures was a kind of «creative laboratory» that preceded the appearance of larger works — suites,sonatas, concertos, symphonies, etc. The priorities in the children’s piano works of Moldovan authors are contrasting in style: slow lyrical pieces (Lullaby, Doina,Prelude, Song, Poem, etc.) and mobile miniatures (Jock, Batuta, Ostinato, Comic, Scherzo, etc.) with dance or scherzo-humor character. These plays can greatly enrich the repertoire of children’s music schools and lyceums, as they are distinguished by Moldovan color, national and genre properties, peculiarity of the figurative-emotional system and the certainty of technical tasks.
ISSN:2345-1408
2345-1831