Надписи върху олтарни маси от Странджа
The paper examines the restoration of the church network in the Strandzha Mountains region around the end of the 19th and the beginning of the 20th century, tracing the interaction between builders and icon painters from the vicinity of Gabrovo and Tryavna within the context of this process. The stu...
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Veröffentlicht in: | Izkustvovedski chetenii͡a︡ : [dokladi 2018 (1), p.435-451 |
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Format: | Artikel |
Sprache: | eng |
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Zusammenfassung: | The paper examines the restoration of the church network in the Strandzha Mountains region around the end of the 19th and the beginning of the 20th century, tracing the interaction between builders and icon painters from the vicinity of Gabrovo and Tryavna within the context of this process. The study is based on fieldwork and archival research under the project Comprehensive and Innovative Methods for Identification and Study of the Tangible and Intangible Cultural Heritage of Central and Eastern Strandzha against the Backdrop of Migration and Demographic Decline, funded by the National Science Fund of Bulgaria. Here, published for the first time, are the inscriptions on the altar tables of the churches in that area. The historical records available testify to a large-scale, targeted policy aimed at reviving and fostering local church life in the decades following the Russo-Turkish Liberation War of 1877–1878 in the territory of the Municipality of Sredets (as opposed to the Municipality of Malko Turnovo, which remained within the borders of the Ottoman Empire up until 1912). Under the authority and supervision of Seraphim, Metropolitan of Sliven, and his Vicar Bishop and successor Gervasius of Leuke, the local church municipalities attracted builder teams from the vicinity of Gabrovo, which over time renovated the war-damaged temples in the town of Sredets and the village of Svetlina and built new churches in the villages of Gorno and Dolno Yabalkovo, Bistrets, Momina Tsarkva and, most probably also the churches in the villages of Fakia, Valchanovo and Varovnik. Active participants in this process were Dimitar Minev and Georgi Dimitrov, master icon painters from the town of Tryavna who painted icons for most of the abovementioned churches. |
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ISSN: | 1313-2342 |