Transformácie cenzúry v súčasnom literárnom diskurze (s príkladmi zo slovenského kultúrneho prostredia)
Since the 1990s, literary censorship has been a focus of scholars not only in terms of literaryhistory but also as a specific literary-theoretical problem. Czech literary studies entered thenew discourse on censorship in 2015 with an extensive two-part monograph on censorshipand social regulation of...
Gespeichert in:
Veröffentlicht in: | World literature studies 2018, Vol.10 (4), p.9-23 |
---|---|
1. Verfasser: | |
Format: | Artikel |
Sprache: | slo |
Schlagworte: | |
Online-Zugang: | Volltext |
Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
Zusammenfassung: | Since the 1990s, literary censorship has been a focus of scholars not only in terms of literaryhistory but also as a specific literary-theoretical problem. Czech literary studies entered thenew discourse on censorship in 2015 with an extensive two-part monograph on censorshipand social regulation of Czech literature between 1749–2014, published by the Institute forCzech Literature of the Czech Academy of Sciences. This study follows upon the above-mentionedproject, in particular the research mapping censorship mechanisms after 1989 in Slovakia.It draws from the theoretical works of Pierre Bourdieu, who sees censorship not exclusivelyas a legal authority that sanctions and punishes, but as a field that behaves similarlyto the market. In this sense we can talk about a socially authorized discourse rather thancensorship. The study includes some censorship “cases” from post-1989 Slovakia (concerningthe authors Martin Kasarda, Peter Pišťanek and Dušan Taragel) that have been seen as effortsby certain religious groups to regulate cultural and literary processes. |
---|---|
ISSN: | 1337-9275 |