Digitalization and the Production of Feeling and Emotion: The Case of Words Cut into the Skin
This article investigates one example of how affect is articulated in the self-cutting of words into the skin and how the meaning of this MULTIMODAL STATEMENT IS MODIlED THROUGH REMEDIATION !CCORDING TO Tomkins, affects are understood as intensities that are impossible to frame as feelings or emotio...
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Veröffentlicht in: | Acta Universitatis Sapientiae. Film and Media Studies 2015 (10), p.83-199 |
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Format: | Artikel |
Sprache: | eng |
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Zusammenfassung: | This article investigates one example of how affect is articulated in the self-cutting of words into the skin and how the meaning of this MULTIMODAL STATEMENT IS MODIlED THROUGH REMEDIATION !CCORDING TO Tomkins, affects are understood as intensities that are impossible to frame as feelings or emotions. A theoretical framework based on Laclau’s and Mouffe’s discourse theory and the multimodal categories developed by Kress and van Leeuwen is used. Photographs of self-cutting and statements from people who cut themselves are examined through content analyses. The results show that words that had been cut into the skin often referred to painful experiences, disgust directed against themselves, or social isolation. Further, the study shows that when the cut-in words are remediated through a photograph, digitalized and published online, other meanings appear. Inside internet communities for people who self-injure, the photographs WEREASSOCIATEDWITHACOMMUNALEXPERIENCEIDENTIlCATIONANDPRESCRIBED activity. The original self-oriented feelings about one’s shortcomings and isolation attached to self-cutting could be altered so that those connoted, instead, experiences of solidarity, identity and intimacy. |
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ISSN: | 2065-5924 2066-7779 |