Pozdrowienia z wakacji. Pocztówka z wyspy Sylt
The article analyses the exhibition: "Reinefarth in Warsaw. Evidence of Crime” (Museum of Wola, branch of the Museum of Warsaw, 2014/2015) against the backdrop of exposition strategies dominating in Polish historical exhibitions conceived in recent years. The text, however, deals not only with...
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Veröffentlicht in: | Konteksty 2016, Vol.312 (1), p.91-96 |
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Format: | Artikel |
Sprache: | pol |
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Online-Zugang: | Volltext |
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Zusammenfassung: | The article analyses the exhibition: "Reinefarth in Warsaw. Evidence of Crime” (Museum of Wola, branch of the Museum of Warsaw, 2014/2015) against the backdrop of exposition strategies dominating in Polish historical exhibitions conceived in recent years. The text, however, deals not only with the visual construction of the display but also its reception and impact upon the visitors. In doing so, it refers to initial results of studies of the public conducted upon this occasion and during three other historical exhibitions in various ways pertaining to the Second World War and on show in Poland after 2004. |
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ISSN: | 1230-6142 |