THE IMPORTANCE AND SPECIFICS OF THE VOCAL-CHORAL ANALYSIS IN A CHORAL WORK

In the survey “The Complexity and Specifics of Choral Art”, I have discussed about the three stages a conductor undertakes in the process of discovering and studying a choral work. These three stages are: SMA - the syntactical- morphological analysis of the work, VCA - the vocal-choral analysis and MC - the mental concept (MTC and MIC). In this study, we set out to present the second stage, the vocal-choral analysis (VCA), in a detailed approach. The choral piece I have used in making this analysis is “Mă luai, luai” by Tudor Jarda.