Spektakulárna takosť performancií Milana Adamčiaka

This paper is focused on some aspects of the specific and unique concept of MilanAdamčiak’s (1946 – 2017) performance art, which embodies not only conscious refer-ences to the contemporary postmodern avant-garde of (neo-)Fluxus or conceptualart, but also certain spectacularly presented, sui generis dimensions of earthiness,surprising playfulness, and humorous controversy. Besides a selective, model pre-sentation of his solo and collective performances and happenings, the author dis-cusses the specificity of the intermedial poetics of Adamčiak’s performance art inreferences to the ideas of Jozef Cseres and Peter Faltin, who specialised in music se-miotics (works of art as totems) about shifts in the understanding of the ontologicalstatus of postmodern works of art.