Martor ocular. Teatrul între trăirea scenică a prezentului și amintire

Martor ocular. Teatrul între trăirea scenică a prezentului și amintire

What is left as a psychological projection for the viewer when he or she leaves the theatre? There are questions that demand answers regarding how to relate the theatrical image to events in the present or past. The variety of responses, over the years, has a complex socio-cultural relevance. Conven...

Ausführliche Beschreibung

Gespeichert in:
Bibliographische Detailangaben
Veröffentlicht in:Jurnalul Artelor Spectacolului (JAS) 2022 (2), p.77-86
1. Verfasser: Pop, Simona
Format: Artikel
Sprache:rum
Schlagworte:
Individual Psychology
Metaphysics
Social psychology and group interaction
Theatre, Dance, Performing Arts
Online-Zugang:Volltext
Tags: Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
container_end_page 86
container_issue 2
container_start_page 77
container_title Jurnalul Artelor Spectacolului (JAS)
container_volume
creator Pop, Simona
description What is left as a psychological projection for the viewer when he or she leaves the theatre? There are questions that demand answers regarding how to relate the theatrical image to events in the present or past. The variety of responses, over the years, has a complex socio-cultural relevance. Conventions, proposed for transgression in fictional universes, produce the temporal suspension that together give the feeling of the shared/assumed real. Theatre is a form of recognition and rediscovery of universal human feelings. Human depths cannot be communicated through current technological means of mediation. The art of theatre proposes a rearrangement, a discipline for identifying the dangers that threaten contemporary society. We thus find our human connection with the metaphysical life that exists in ultimate reality.
format Article
fullrecord <record><control><sourceid>ceeol</sourceid><recordid>TN_cdi_ceeol_journals_1102371</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><ceeol_id>1102371</ceeol_id><sourcerecordid>1102371</sourcerecordid><originalsourceid>FETCH-ceeol_journals_11023713</originalsourceid><addsrcrecordid>eNpjYuA0MjAz1zU0MYlgAbPNdC0sLSw4GHiLi7MMDAyMDS3MLczNOBm8fBOLSvKLFPKTS3MSi_QUQlITS4pKcxQOr8srKUpVKCk60pxZlJqoUJycmpeZfKRZIVGhoCi1KjWvpDSnNFPhxMxMhcTczLwSoCIeBta0xJziVF4ozc0g6-Ya4uyhm5yamp8Tn5VfWpQHFI83NDQwMjY3NCYkDwCJEj0O</addsrcrecordid><sourcetype>Publisher</sourcetype><iscdi>true</iscdi><recordtype>article</recordtype></control><display><type>article</type><title>Martor ocular. Teatrul între trăirea scenică a prezentului și amintire</title><source>Central and Eastern European Online Library</source><source>Alma/SFX Local Collection</source><creator>Pop, Simona</creator><creatorcontrib>Pop, Simona</creatorcontrib><description>What is left as a psychological projection for the viewer when he or she leaves the theatre? There are questions that demand answers regarding how to relate the theatrical image to events in the present or past. The variety of responses, over the years, has a complex socio-cultural relevance. Conventions, proposed for transgression in fictional universes, produce the temporal suspension that together give the feeling of the shared/assumed real. Theatre is a form of recognition and rediscovery of universal human feelings. Human depths cannot be communicated through current technological means of mediation. The art of theatre proposes a rearrangement, a discipline for identifying the dangers that threaten contemporary society. We thus find our human connection with the metaphysical life that exists in ultimate reality.</description><identifier>ISSN: 2066-8988</identifier><identifier>EISSN: 2067-144X</identifier><language>rum</language><publisher>LUCIAN BLAGA University Press of Sibiu</publisher><subject>Individual Psychology ; Metaphysics ; Social psychology and group interaction ; Theatre, Dance, Performing Arts</subject><ispartof>Jurnalul Artelor Spectacolului (JAS), 2022 (2), p.77-86</ispartof><oa>free_for_read</oa><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Uhttps://www.ceeol.com//api/image/getissuecoverimage?id=picture_2022_72215.jpeg</thumbnail><link.rule.ids>314,780,784,4022,21361</link.rule.ids></links><search><creatorcontrib>Pop, Simona</creatorcontrib><title>Martor ocular. Teatrul între trăirea scenică a prezentului și amintire</title><title>Jurnalul Artelor Spectacolului (JAS)</title><addtitle>Journal of Performing Arts (JOPA)</addtitle><description>What is left as a psychological projection for the viewer when he or she leaves the theatre? There are questions that demand answers regarding how to relate the theatrical image to events in the present or past. The variety of responses, over the years, has a complex socio-cultural relevance. Conventions, proposed for transgression in fictional universes, produce the temporal suspension that together give the feeling of the shared/assumed real. Theatre is a form of recognition and rediscovery of universal human feelings. Human depths cannot be communicated through current technological means of mediation. The art of theatre proposes a rearrangement, a discipline for identifying the dangers that threaten contemporary society. We thus find our human connection with the metaphysical life that exists in ultimate reality.</description><subject>Individual Psychology</subject><subject>Metaphysics</subject><subject>Social psychology and group interaction</subject><subject>Theatre, Dance, Performing Arts</subject><issn>2066-8988</issn><issn>2067-144X</issn><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2022</creationdate><recordtype>article</recordtype><sourceid>REL</sourceid><recordid>eNpjYuA0MjAz1zU0MYlgAbPNdC0sLSw4GHiLi7MMDAyMDS3MLczNOBm8fBOLSvKLFPKTS3MSi_QUQlITS4pKcxQOr8srKUpVKCk60pxZlJqoUJycmpeZfKRZIVGhoCi1KjWvpDSnNFPhxMxMhcTczLwSoCIeBta0xJziVF4ozc0g6-Ya4uyhm5yamp8Tn5VfWpQHFI83NDQwMjY3NCYkDwCJEj0O</recordid><startdate>2022</startdate><enddate>2022</enddate><creator>Pop, Simona</creator><general>LUCIAN BLAGA University Press of Sibiu</general><general>Editura Universitatii LUCIAN BLAGA din Sibiu</general><scope>AE2</scope><scope>BIXPP</scope><scope>REL</scope></search><sort><creationdate>2022</creationdate><title>Martor ocular. Teatrul între trăirea scenică a prezentului și amintire</title><author>Pop, Simona</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-ceeol_journals_11023713</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>rum</language><creationdate>2022</creationdate><topic>Individual Psychology</topic><topic>Metaphysics</topic><topic>Social psychology and group interaction</topic><topic>Theatre, Dance, Performing Arts</topic><toplevel>online_resources</toplevel><creatorcontrib>Pop, Simona</creatorcontrib><collection>Central and Eastern European Online Library (C.E.E.O.L.) (DFG Nationallizenzen)</collection><collection>CEEOL: Open Access</collection><collection>Central and Eastern European Online Library</collection><jtitle>Jurnalul Artelor Spectacolului (JAS)</jtitle></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Pop, Simona</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>Martor ocular. Teatrul între trăirea scenică a prezentului și amintire</atitle><jtitle>Jurnalul Artelor Spectacolului (JAS)</jtitle><addtitle>Journal of Performing Arts (JOPA)</addtitle><date>2022</date><risdate>2022</risdate><issue>2</issue><spage>77</spage><epage>86</epage><pages>77-86</pages><issn>2066-8988</issn><eissn>2067-144X</eissn><abstract>What is left as a psychological projection for the viewer when he or she leaves the theatre? There are questions that demand answers regarding how to relate the theatrical image to events in the present or past. The variety of responses, over the years, has a complex socio-cultural relevance. Conventions, proposed for transgression in fictional universes, produce the temporal suspension that together give the feeling of the shared/assumed real. Theatre is a form of recognition and rediscovery of universal human feelings. Human depths cannot be communicated through current technological means of mediation. The art of theatre proposes a rearrangement, a discipline for identifying the dangers that threaten contemporary society. We thus find our human connection with the metaphysical life that exists in ultimate reality.</abstract><pub>LUCIAN BLAGA University Press of Sibiu</pub><tpages>10</tpages><oa>free_for_read</oa></addata></record>
fulltext fulltext
identifier ISSN: 2066-8988
ispartof Jurnalul Artelor Spectacolului (JAS), 2022 (2), p.77-86
issn 2066-8988
2067-144X
language rum
recordid cdi_ceeol_journals_1102371
source Central and Eastern European Online Library; Alma/SFX Local Collection
subjects Individual Psychology
Metaphysics
Social psychology and group interaction
Theatre, Dance, Performing Arts
title Martor ocular. Teatrul între trăirea scenică a prezentului și amintire
url https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2025-01-11T23%3A35%3A24IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-ceeol&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=Martor%20ocular.%20Teatrul%20%C3%AEntre%20tr%C4%83irea%20scenic%C4%83%20a%20prezentului%20%C8%99i%20amintire&rft.jtitle=Jurnalul%20Artelor%20Spectacolului%20(JAS)&rft.au=Pop,%20Simona&rft.date=2022&rft.issue=2&rft.spage=77&rft.epage=86&rft.pages=77-86&rft.issn=2066-8988&rft.eissn=2067-144X&rft_id=info:doi/&rft_dat=%3Cceeol%3E1102371%3C/ceeol%3E%3Curl%3E%3C/url%3E&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_id=info:pmid/&rft_ceeol_id=1102371&rfr_iscdi=true