Martor ocular. Teatrul între trăirea scenică a prezentului și amintire
What is left as a psychological projection for the viewer when he or she leaves the theatre? There are questions that demand answers regarding how to relate the theatrical image to events in the present or past. The variety of responses, over the years, has a complex socio-cultural relevance. Conven...
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Veröffentlicht in: | Jurnalul Artelor Spectacolului (JAS) 2022 (2), p.77-86 |
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Format: | Artikel |
Sprache: | rum |
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Online-Zugang: | Volltext |
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Zusammenfassung: | What is left as a psychological projection for the viewer when he or she leaves the theatre? There are questions that demand answers regarding how to relate the theatrical image to events in the present or past. The variety of responses, over the years, has a complex socio-cultural relevance. Conventions, proposed for transgression in fictional universes, produce the temporal suspension that together give the feeling of the shared/assumed real. Theatre is a form of recognition and rediscovery of universal human feelings. Human depths cannot be communicated through current technological means of mediation. The art of theatre proposes a rearrangement, a discipline for identifying the dangers that threaten contemporary society. We thus find our human connection with the metaphysical life that exists in ultimate reality. |
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ISSN: | 2066-8988 2067-144X |