Floating Harmony: cutting-apart-back-together – a constellation of ‘becoming with’ in Horse ‘Henry Rainbow’ Devoted Rider

There is something quite special about a horse and a rider coming together in significant “otherness” (Haraway, 2003, 16). Their union together has always fascinated me, similarly in the way Leonardo da Vinci was intrigued by anatomy and all its delicate, minute intricacies. Suffice to say I am no a...

Ausführliche Beschreibung

Gespeichert in:
Bibliographische Detailangaben
Veröffentlicht in:Journal of Posthumanism 2022, Vol.2 (3), p.327-334
1. Verfasser: Carlyle, Donna
Format: Artikel
Sprache:eng
Schlagworte:
Online-Zugang:Volltext
Tags: Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
Beschreibung
Zusammenfassung:There is something quite special about a horse and a rider coming together in significant “otherness” (Haraway, 2003, 16). Their union together has always fascinated me, similarly in the way Leonardo da Vinci was intrigued by anatomy and all its delicate, minute intricacies. Suffice to say I am no artist like the inimitable icon; however, I can try to sketch, draw, doodle and create an image. Ironically I am challenging da Vinci’s painting and idea of the (in)famous Vitruvian Man, that is (hu)man’s being at the centre of the universe. From my own wayfarings and wanderings with image and text, I offer creative and visual imaginings as well as a brief image-text diffractive dalliance (Barad, 2014), with the concept floating harmony.
ISSN:2634-3576
2634-3584
DOI:10.33182/joph.v2i3.2243