Facing Identity: The Formation and Performance of Identity via Face-Based Artificial Intelligence Technologies
How is identity constructed and performed in the digital via face-based artificial intelligence technologies? While questions of identity on the textual Internet have been thoroughly explored, the Internet has progressed to a multimedia form that not only centers the visual, but specifically the fac...
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Zusammenfassung: | How is identity constructed and performed in the digital via face-based
artificial intelligence technologies? While questions of identity on the
textual Internet have been thoroughly explored, the Internet has progressed to
a multimedia form that not only centers the visual, but specifically the face.
At the same time, a wealth of scholarship has and continues to center the
topics of surveillance and control through facial recognition technologies
(FRTs), which have extended the logics of the racist pseudoscience of
physiognomy. Much less work has been devoted to understanding how such
face-based artificial intelligence technologies have influenced the formation
and performance of identity. This literature review considers how such
technologies interact with faciality, which entails the construction of what a
face may represent or signify, along axes of identity such as race, gender, and
sexuality. In grappling with recent advances in AI such as image generation and
deepfakes, I propose that we are now in an era of "post-facial" technologies
that build off our existing culture of facility while eschewing the analog
face, complicating our relationship with identity vis-a-vis the face. Drawing
from previous frameworks of identity play in the digital, as well as trans
practices that have historically played with or transgressed the boundaries of
identity classification, we can develop concepts adequate for analyzing digital
faciality and identity given the current landscape of post-facial artificial
intelligence technologies that allow users to interface with the digital in an
entirely novel manner. To ground this framework of transgression, I conclude by
proposing an interview study with VTubers -- online streamers who perform using
motion-captured avatars instead of their real-life faces -- to gain qualitative
insight on how these sociotechnical experiences. |
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DOI: | 10.48550/arxiv.2410.12148 |