Computational Induction of Prosodic Structure
The present study has two goals relating to the grammar of prosody, understood as the rhythms and melodies of speech. First, an overview is provided of the computable grammatical and phonetic approaches to prosody analysis which use hypothetico-deductive methods and are based on learned hermeneutic...
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Zusammenfassung: | The present study has two goals relating to the grammar of prosody,
understood as the rhythms and melodies of speech. First, an overview is
provided of the computable grammatical and phonetic approaches to prosody
analysis which use hypothetico-deductive methods and are based on learned
hermeneutic intuitions about language. Second, a proposal is presented for an
inductive grounding in the physical signal, in which prosodic structure is
inferred using a language-independent method from the low-frequency spectrum of
the speech signal. The overview includes a discussion of computational aspects
of standard generative and post-generative models, and suggestions for
reformulating these to form inductive approaches. Also included is a discussion
of linguistic phonetic approaches to analysis of annotations (pairs of speech
unit labels with time-stamps) of recorded spoken utterances. The proposal
introduces the inductive approach of Rhythm Formant Theory (RFT) and the
associated Rhythm Formant Analysis (RFA) method are introduced, with the aim of
completing a gap in the linguistic hypothetico-deductive cycle by grounding in
a language-independent inductive procedure of speech signal analysis. The
validity of the method is demonstrated and applied to rhythm patterns in
read-aloud Mandarin Chinese, finding differences from English which are related
to lexical and grammatical differences between the languages, as well as
individual variation. The overall conclusions are (1) that normative
language-to-language phonological or phonetic comparisons of rhythm, for
example of Mandarin and English, are too simplistic, in view of diverse
language-internal factors due to genre and style differences as well as
utterance dynamics, and (2) that language-independent empirical grounding of
rhythm in the physical signal is called for. |
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DOI: | 10.48550/arxiv.1912.07050 |