Multiband SAS Imagery
Advances in unmanned synthetic aperture sonar (SAS) imaging platforms allow for the simultaneous collection of multiband SAS imagery. The imagery is collected over several octaves and the phenomenology's interactions with the sea floor vary greatly over this range -- higher frequencies resolve...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Artikel |
Sprache: | eng |
Schlagworte: | |
Online-Zugang: | Volltext bestellen |
Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
Zusammenfassung: | Advances in unmanned synthetic aperture sonar (SAS) imaging platforms allow
for the simultaneous collection of multiband SAS imagery. The imagery is
collected over several octaves and the phenomenology's interactions with the
sea floor vary greatly over this range -- higher frequencies resolve proud and
fine structure of the seafloor while lower frequencies resolve subsurface
features and often induce internal resonance in man-made objects. Currently,
analysts examine multiband imagery by viewing a single band at a time. This
method makes it difficult to ascertain correlations between any pair of bands
collected over the same location. To mitigate this issue, we propose methods
which ingest high frequency (HF) and low frequency (LF) SAS imagery and
generates a color composite creating what we call a multiband SAS (MSAS) image.
The MSAS image contains the relevant portions of the HF and LF images required
by an analyst to interpret the scene and are defined using a spatial saliency
metric computed for each image. We then combine the saliency and acoustic
backscatter measures to form the final MSAS image. |
---|---|
DOI: | 10.48550/arxiv.1808.02792 |