Eilido colours sources relating to the introduction of coal-tar colours and their controversial reception in the early 20th century von Skowranek, Heide, Stege, Heike 1970-, Krekel, Christoph 1966-, Steuer, Christoph

The chemist Wilhelm Ostwald (1853-1932) and his wide network of contemporary art technologists von Pohlmann, Albrecht 1961-

"Die Wiedergeburt der Farbe" Bruno Taut's understanding of colour von Dietz, Stephanie

Between art and science painting technique workshops by Kurt Wehlte von Kammer, Monika 1977-

Italian artists' self-thaught 'compensation strategies' for their lack of technical training a study on Gino Severini von D'Ayala Valva, Margherita

Evaluation of selected written sources on the painting techniques of Heinrich Campendonk and Heinrich Nauen von Meyer, Stefanie, Nieberle, Jenny Annika

Fritz Gerhardt's casein paint a material for mural and easel painting around 1900 von Reinkowski-Häfner, Eva

Presenting the technical development of painting at the Deutsches Museum, Munich von Kinseher, Kathrin

Harriet Backer the artist's paint tubes in Uvdal stave church and her corresponding paintings von Kutzke, Hartmut, Frøysaker, Tine 1957-

Between chance and choice Max Ernst's "frottages" and "grattages" on canvas from the Menil Collection, Houston von Hanspach-Bernal, Ellen 1976-, Bezur, Anikó

The disparity between sources and practice in mid-19th-century English church wall painting von Woolley, Elizabeth

Feeling the techniques of the past establishing a link between later 19th-century French painting techniques and their historical European predecessors von Nové, Isabelle

Business process management workshops BPM 2009 International Workshops, Ulm, Germany, September 7, 2009 ; revised papers

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Socio-political perspectives on regionalism in the modern world

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