Songbooks the literature of American popular music von Weisbard, Eric

Inhaltsangabe: “… Part III: Midcentury icons -- Folk embodiment: Woody Guthrie, Bound for Glory, 1942 -- A hack story soldiers took to war: David Ewen, Man of Popular Music, 1944 -- From immigrant Jew to red hot mama: Sophie Tucker, Some of These Days, 1945 -- White Negro drug dealer: Mezz Mezzrow and Bernard Wolfe, Really the blues, 1946 -- Composer of tone parallels: Barry Ulanov, Duke Ellington, 1946 -- Jazz's precursor as pop and art: Rudi Blesh and Harriet Janis, They All Played Ragtime: The True Story of an American Music, 1950 -- Field Recording in the Library of Congress: Alan Lomax, Mister Jelly Roll: The Fortunes of Jelly Roll Morton, New Orleans Creole and "Inventor" of Jazz, 1950 -- Dramatizing Blackness from a distance: Ethel Waters with Charles Samuels, His Eye Is on the Sparrow, 1951 -- Centering vernacular song: Gilbert Chase, America's Music, 1955 -- Writing about records: Roland Gelart, The Fabulous Phonograph: From Tin Foil to High Fidelity, 1955 -- Collective oral history to document scenes: Nat Shapiro and Nat Hentoff, eds., Hear Me Talkin' to Ya: The Story of Jazz as Told by the Men Who Made It, 1955 -- The greatest jazz singer's star text: Billie Holiday with William Dufty, Lady Sings the Blues, 1956 -- Beat generation: Jack Kerouac, On the Road, 1957 -- Borderlands folklore and transnational imaginaries: Americo Paredes, "With His Pistol in His Hands": A Border Ballad and Its Hero, 1958 -- New Yorker critic of a genre becoming middlebrow: Whitney Balliett, The Sound of Surprise: 46 Pieces on Jazz, 1959 …”
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American religious poems an anthology

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Reference works in British and American literature von Bracken, James K.

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Wina, kara, polityka rozliczenia ze zbrodniami II wojny światowej von Machcewicz, Paweł 1966-, Paczkowski, Andrzej 1938-

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