Romantic music aesthetics creating a politics of emotion
This book reassesses the place of politics and emotion within Romantic music aesthetics. Drawing together insights from the history of emotions, cultural history, and studies of philosophical idealism, 'affective relationality' - the channelling of emotion through music's social and c...
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| Sprache: | English |
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Cambridge, United Kingdom ; New York, NY
Cambridge University Press
2024
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| 500 | |a Staging Sentimentality -- The Legacy of Rousseau -- The Composer as Genius -- Idealist Aesthetics and the Music Critic -- Picturing the Musical Absolute -- Between Idealism and Realism I : The French Socialists -- Between Idealism and Realism II : After Hegel -- From Hanslick to the Twentieth Century -- Conclusion. The Fate of Feeling | ||
| 520 | |a This book reassesses the place of politics and emotion within Romantic music aesthetics. Drawing together insights from the history of emotions, cultural history, and studies of philosophical idealism, 'affective relationality' - the channelling of emotion through music's social and cultural synergies - emerges as key to Romantic aesthetic thought. Now familiar concepts such as theatrical illusion, genius, poetic criticism, and the renewed connection of art to mythology and religion opened new spaces for audiences' feelings, as thinkers such as Rousseau, Herder, Germaine de Staël, Joseph Mainzer, Pierre Leroux and George Sand sought alternatives to the political status quo. Building on the sentimental tradition in eighteenth-century art and politics, the Romantics created ways of listening to music imbued not just with melancholic longing for transcendence but also with humour, gothic fantasy, satire, and political solidarity. The consequences have extended far beyond the classical concert hall into numerous domains of popular culture from melodrama, romances and political songwriting to musical theatre and film | ||
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Datensatz im Suchindex
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| author | Pritchard, Matthew |
| author_GND | (DE-588)1025896696 |
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| dewey-full | 780.9/034 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.9/034 |
| dewey-search | 780.9/034 |
| dewey-sort | 3780.9 234 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| doi_str_mv | 10.1017/9781009491679 |
| format | Electronic eBook |
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| id | DE-604.BV050124572 |
| illustrated | Not Illustrated |
| indexdate | 2025-01-28T05:20:15Z |
| institution | BVB |
| isbn | 9781009491679 |
| language | English |
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| physical | 1 Online-Ressource (xi, 274 Seiten) |
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| publisher | Cambridge University Press |
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| spelling | Pritchard, Matthew (DE-588)1025896696 aut Romantic music aesthetics creating a politics of emotion Matthew Pritchard Cambridge, United Kingdom ; New York, NY Cambridge University Press 2024 1 Online-Ressource (xi, 274 Seiten) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 08 Nov 2024) Staging Sentimentality -- The Legacy of Rousseau -- The Composer as Genius -- Idealist Aesthetics and the Music Critic -- Picturing the Musical Absolute -- Between Idealism and Realism I : The French Socialists -- Between Idealism and Realism II : After Hegel -- From Hanslick to the Twentieth Century -- Conclusion. The Fate of Feeling This book reassesses the place of politics and emotion within Romantic music aesthetics. Drawing together insights from the history of emotions, cultural history, and studies of philosophical idealism, 'affective relationality' - the channelling of emotion through music's social and cultural synergies - emerges as key to Romantic aesthetic thought. Now familiar concepts such as theatrical illusion, genius, poetic criticism, and the renewed connection of art to mythology and religion opened new spaces for audiences' feelings, as thinkers such as Rousseau, Herder, Germaine de Staël, Joseph Mainzer, Pierre Leroux and George Sand sought alternatives to the political status quo. Building on the sentimental tradition in eighteenth-century art and politics, the Romantics created ways of listening to music imbued not just with melancholic longing for transcendence but also with humour, gothic fantasy, satire, and political solidarity. The consequences have extended far beyond the classical concert hall into numerous domains of popular culture from melodrama, romances and political songwriting to musical theatre and film Romanticism in music Music / 19th century / Philosophy and aesthetics Music / 18th century / Philosophy and aesthetics Erscheint auch als Druck-Ausgabe 9781009491662 Erscheint auch als Druck-Ausgabe 9781009491648 https://doi.org/10.1017/9781009491679?locatt=mode:legacy Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Pritchard, Matthew Romantic music aesthetics creating a politics of emotion Romanticism in music Music / 19th century / Philosophy and aesthetics Music / 18th century / Philosophy and aesthetics |
| title | Romantic music aesthetics creating a politics of emotion |
| title_auth | Romantic music aesthetics creating a politics of emotion |
| title_exact_search | Romantic music aesthetics creating a politics of emotion |
| title_full | Romantic music aesthetics creating a politics of emotion Matthew Pritchard |
| title_fullStr | Romantic music aesthetics creating a politics of emotion Matthew Pritchard |
| title_full_unstemmed | Romantic music aesthetics creating a politics of emotion Matthew Pritchard |
| title_short | Romantic music aesthetics |
| title_sort | romantic music aesthetics creating a politics of emotion |
| title_sub | creating a politics of emotion |
| topic | Romanticism in music Music / 19th century / Philosophy and aesthetics Music / 18th century / Philosophy and aesthetics |
| topic_facet | Romanticism in music Music / 19th century / Philosophy and aesthetics Music / 18th century / Philosophy and aesthetics |
| url | https://doi.org/10.1017/9781009491679?locatt=mode:legacy |
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