Impressions of light the French landscape from Corot to Monet
"This fascinating journey through the art of the 19th-century French landscape offers a host of masterful works, among them Corot's Forest of Fontainbleau, Millet's End of the Hamlet of Gruchy, Renoir's Rocky Crags at L'Estaque, and Monet's Rue de la Bavolle, Honfleur....
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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Boston, Mass.
MFA Publications
[2002]
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| Ausgabe: | 1st ed |
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| Online-Zugang: | DE-255 URL des Erstveröffentlichers |
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| 100 | 1 | |a Shackelford, George T. M. |d 1955- |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Impressions of light |b the French landscape from Corot to Monet |c by George T.M. Shackelford and Fronia E. Wissman ; contributions by David P. Becker [and others] |
| 250 | |a 1st ed | ||
| 264 | 1 | |a Boston, Mass. |b MFA Publications |c [2002] | |
| 300 | |a 1 Online-Ressource (291 Seiten) |b 213 Illustrationen | ||
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| 520 | |a "This fascinating journey through the art of the 19th-century French landscape offers a host of masterful works, among them Corot's Forest of Fontainbleau, Millet's End of the Hamlet of Gruchy, Renoir's Rocky Crags at L'Estaque, and Monet's Rue de la Bavolle, Honfleur. As is often the case, however, some of the most wonderful things to see are also the least expected: rare and unusual monotypes by Degas, three states of a softground etching by Pissarro, and numerous works by some of their lesser-known but equally important contemporaries. Unlike previous books on the topic, Impressions of Light presents a unique and stunningly complete group of work that introduces a new level of complexity into the discussion of French landscapes. Rather than considering the landscape as a steady, linear development and the product of a single medium, it takes into account the many crosscurrents and intersecting developments in French art, from the Barbizon school through the post-Impressionist period. In addition, it studies the landscape in a variety of media-- painting, prints, and photography-- exploring both the individual artists' perceptions and the ways in which they influenced each other. With over 80 paintings and 70 works on paper from the Museum of Fine Arts, Boston's collections, and published to accompany a major exhibition, Impressions of Light encompasses more than 100 years and 56 artists working in a dozen different media. It holds the broadest possible view, yet never loses sight of the extraordinary intricacy that makes the landscape so enduringly appealing"--Publisher's description | ||
| 600 | 1 | 4 | |a Corot, Jean-Baptiste-Camille / 1796-1875 |
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| 650 | 4 | |a Impressionism (Art) / France / Exhibitions | |
| 650 | 4 | |a Landscape painting, French / 19th century / Exhibitions | |
| 700 | 1 | |a Becker, David P. |e Sonstige |4 oth | |
| 700 | 1 | |a Wissman, Fronia E. |e Sonstige |4 oth | |
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Datensatz im Suchindex
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| adam_text | |
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| author | Shackelford, George T. M. 1955- |
| author_facet | Shackelford, George T. M. 1955- |
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| author_sort | Shackelford, George T. M. 1955- |
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| doi_str_mv | 10.37862/aaeportal.00245 |
| edition | 1st ed |
| format | Electronic eBook |
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| id | DE-604.BV050035317 |
| illustrated | Illustrated |
| indexdate | 2025-01-03T08:23:09Z |
| institution | BVB |
| isbn | 0300260520 9780300260526 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035373180 |
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| owner | DE-255 |
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| physical | 1 Online-Ressource (291 Seiten) 213 Illustrationen |
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| publishDate | 2002 |
| publishDateSearch | 2002 |
| publishDateSort | 2002 |
| publisher | MFA Publications |
| record_format | marc |
| spelling | Shackelford, George T. M. 1955- Verfasser aut Impressions of light the French landscape from Corot to Monet by George T.M. Shackelford and Fronia E. Wissman ; contributions by David P. Becker [and others] 1st ed Boston, Mass. MFA Publications [2002] 1 Online-Ressource (291 Seiten) 213 Illustrationen txt rdacontent c rdamedia cr rdacarrier "This fascinating journey through the art of the 19th-century French landscape offers a host of masterful works, among them Corot's Forest of Fontainbleau, Millet's End of the Hamlet of Gruchy, Renoir's Rocky Crags at L'Estaque, and Monet's Rue de la Bavolle, Honfleur. As is often the case, however, some of the most wonderful things to see are also the least expected: rare and unusual monotypes by Degas, three states of a softground etching by Pissarro, and numerous works by some of their lesser-known but equally important contemporaries. Unlike previous books on the topic, Impressions of Light presents a unique and stunningly complete group of work that introduces a new level of complexity into the discussion of French landscapes. Rather than considering the landscape as a steady, linear development and the product of a single medium, it takes into account the many crosscurrents and intersecting developments in French art, from the Barbizon school through the post-Impressionist period. In addition, it studies the landscape in a variety of media-- painting, prints, and photography-- exploring both the individual artists' perceptions and the ways in which they influenced each other. With over 80 paintings and 70 works on paper from the Museum of Fine Arts, Boston's collections, and published to accompany a major exhibition, Impressions of Light encompasses more than 100 years and 56 artists working in a dozen different media. It holds the broadest possible view, yet never loses sight of the extraordinary intricacy that makes the landscape so enduringly appealing"--Publisher's description Corot, Jean-Baptiste-Camille / 1796-1875 Monet, Claude / 1840-1926 Impressionism (Art) / France / Exhibitions Landscape painting, French / 19th century / Exhibitions Becker, David P. Sonstige oth Wissman, Fronia E. Sonstige oth Museum of Fine Arts, Boston Sonstige oth Erscheint auch als Druck-Ausgabe 9780878466467 Erscheint auch als Druck-Ausgabe 9780878466474 https://doi.org/10.37862/aaeportal.00245 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Shackelford, George T. M. 1955- Impressions of light the French landscape from Corot to Monet Corot, Jean-Baptiste-Camille / 1796-1875 Monet, Claude / 1840-1926 Impressionism (Art) / France / Exhibitions Landscape painting, French / 19th century / Exhibitions |
| title | Impressions of light the French landscape from Corot to Monet |
| title_auth | Impressions of light the French landscape from Corot to Monet |
| title_exact_search | Impressions of light the French landscape from Corot to Monet |
| title_full | Impressions of light the French landscape from Corot to Monet by George T.M. Shackelford and Fronia E. Wissman ; contributions by David P. Becker [and others] |
| title_fullStr | Impressions of light the French landscape from Corot to Monet by George T.M. Shackelford and Fronia E. Wissman ; contributions by David P. Becker [and others] |
| title_full_unstemmed | Impressions of light the French landscape from Corot to Monet by George T.M. Shackelford and Fronia E. Wissman ; contributions by David P. Becker [and others] |
| title_short | Impressions of light |
| title_sort | impressions of light the french landscape from corot to monet |
| title_sub | the French landscape from Corot to Monet |
| topic | Corot, Jean-Baptiste-Camille / 1796-1875 Monet, Claude / 1840-1926 Impressionism (Art) / France / Exhibitions Landscape painting, French / 19th century / Exhibitions |
| topic_facet | Corot, Jean-Baptiste-Camille / 1796-1875 Monet, Claude / 1840-1926 Impressionism (Art) / France / Exhibitions Landscape painting, French / 19th century / Exhibitions |
| url | https://doi.org/10.37862/aaeportal.00245 |
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