Seeing through paintings physical examination in art historical studies

"This clear and accessible handbook introduces the nonspecialist to the physical examination of easel paintings and the historical and critical implications of such study. It takes the reader through the various layers of paintings, from support to varnish, and looks at information that might b...

Ausführliche Beschreibung

Gespeichert in:
Bibliographische Detailangaben
1. Verfasser: Kirsh, Andrea (VerfasserIn)
Format: Elektronisch E-Book
Sprache:English
Veröffentlicht: New Haven Yale University Press [2000]
Schriftenreihe:Materials and meaning in the fine arts vol. 1
Schlagworte:
Online-Zugang:DE-255
URL des Erstveröffentlichers
Tags: Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!

MARC

LEADER 00000nam a2200000zcb4500
001 BV050035234
003 DE-604
007 cr|uuu---uuuuu
008 241120s2000 xx ac|| o|||| 00||| eng d
020 |a 0300230028  |9 0-300-23002-8 
020 |a 9780300230024  |9 978-0-300-23002-4 
024 7 |a 10.37862/aaeportal.00110  |2 doi 
035 |a (ZDB-338-YAA)1042079841 
035 |a (OCoLC)1477598282 
035 |a (DE-599)BVBBV050035234 
040 |a DE-604  |b ger  |e rda 
041 0 |a eng 
049 |a DE-255 
084 |a LH 70200  |0 (DE-625)94801:  |2 rvk 
100 1 |a Kirsh, Andrea  |e Verfasser  |4 aut 
245 1 0 |a Seeing through paintings  |b physical examination in art historical studies  |c Andrea Kirsh, Rustin S. Levenson 
264 1 |a New Haven  |b Yale University Press  |c [2000] 
264 4 |c ©2000 
300 |a 1 Online-Ressource (xvi, 328 Seiten)  |b 268 Illustrationen, Porträts 
336 |b txt  |2 rdacontent 
337 |b c  |2 rdamedia 
338 |b cr  |2 rdacarrier 
490 0 |a Materials and meaning in the fine arts  |v vol. 1 
520 |a "This clear and accessible handbook introduces the nonspecialist to the physical examination of easel paintings and the historical and critical implications of such study. It takes the reader through the various layers of paintings, from support to varnish, and looks at information that might be attached to a painting's reverse, as well as the physical circumstances of its display. The authors demonstrate how this knowledge contributes to a wide range of historical and critical approaches, including iconography, regional and colonial studies, examination of artistic intent, interactions among artistic schools, and the history of collecting and exhibition. The book offers the only comprehensive discussion available on materials, techniques, and condition issues in Western easel paintings from medieval times to the present. It includes detailed case studies of 25 paintings by artists from Giotto and Leonardo to Vermeer, Degas, and Pollock. The extensive illustrations are drawn from more than forty-five international museums; the artists represented range from a Byzantine master and a Mexican colonial painter to living artists, including Helen Frankenthaler, Jacob Lawrence, and Robert Ryman. The book will fascinate and benefit beginning or advanced students of art history and their teachers, as well as painters, collectors, museum docents, and conservators. Those who have known paintings primarily from books, slides, and photographic reproductions will be exposed to a new dimension of their study"--Publisher's description 
650 7 |a Painting / Expertising  |2 fast 
650 7 |a Painting, American  |2 fast 
650 7 |a Painting, European  |2 fast 
650 4 |a Painting / Expertising 
650 4 |a Painting, American 
650 4 |a Painting, European 
650 0 7 |a Malmaterial  |0 (DE-588)4168721-8  |2 gnd  |9 rswk-swf 
650 0 7 |a Gemäldeuntersuchung  |0 (DE-588)4156470-4  |2 gnd  |9 rswk-swf 
650 0 7 |a Maltechnik  |0 (DE-588)4125812-5  |2 gnd  |9 rswk-swf 
650 0 7 |a Geschichte  |0 (DE-588)4020517-4  |2 gnd  |9 rswk-swf 
689 0 0 |a Geschichte  |0 (DE-588)4020517-4  |D s 
689 0 1 |a Maltechnik  |0 (DE-588)4125812-5  |D s 
689 0 |5 DE-604 
689 1 0 |a Malmaterial  |0 (DE-588)4168721-8  |D s 
689 1 1 |a Maltechnik  |0 (DE-588)4125812-5  |D s 
689 1 |5 DE-604 
689 2 0 |a Geschichte  |0 (DE-588)4020517-4  |D s 
689 2 1 |a Malmaterial  |0 (DE-588)4168721-8  |D s 
689 2 |5 DE-604 
689 3 0 |a Gemäldeuntersuchung  |0 (DE-588)4156470-4  |D s 
689 3 |5 DE-604 
700 1 |a Levenson, Rustin S.  |d 1947-  |e Sonstige  |4 oth 
776 0 8 |i Erscheint auch als  |n Druck-Ausgabe  |z 9780300080469 
856 4 0 |u https://doi.org/10.37862/aaeportal.00110  |x Verlag  |z URL des Erstveröffentlichers  |3 Volltext 
912 |a ZDB-338-YAA 
940 1 |q KUBA2_ZDB-338-YAA_2024 
943 1 |a oai:aleph.bib-bvb.de:BVB01-035373096 
966 e |u https://doi.org/10.37862/aaeportal.00110  |l DE-255  |p ZDB-338-YAA  |q BZI  |x Verlag  |3 Volltext 

Datensatz im Suchindex

_version_ 1822513896452259840
adam_text
any_adam_object
author Kirsh, Andrea
author_facet Kirsh, Andrea
author_role aut
author_sort Kirsh, Andrea
author_variant a k ak
building Verbundindex
bvnumber BV050035234
classification_rvk LH 70200
collection ZDB-338-YAA
ctrlnum (ZDB-338-YAA)1042079841
(OCoLC)1477598282
(DE-599)BVBBV050035234
discipline Kunstgeschichte
doi_str_mv 10.37862/aaeportal.00110
format Electronic
eBook
fullrecord <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000zcb4500</leader><controlfield tag="001">BV050035234</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">241120s2000 xx ac|| o|||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0300230028</subfield><subfield code="9">0-300-23002-8</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780300230024</subfield><subfield code="9">978-0-300-23002-4</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.37862/aaeportal.00110</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-338-YAA)1042079841</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1477598282</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV050035234</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-255</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LH 70200</subfield><subfield code="0">(DE-625)94801:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Kirsh, Andrea</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Seeing through paintings</subfield><subfield code="b">physical examination in art historical studies</subfield><subfield code="c">Andrea Kirsh, Rustin S. Levenson</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New Haven</subfield><subfield code="b">Yale University Press</subfield><subfield code="c">[2000]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2000</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (xvi, 328 Seiten)</subfield><subfield code="b">268 Illustrationen, Porträts</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Materials and meaning in the fine arts</subfield><subfield code="v">vol. 1</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">"This clear and accessible handbook introduces the nonspecialist to the physical examination of easel paintings and the historical and critical implications of such study. It takes the reader through the various layers of paintings, from support to varnish, and looks at information that might be attached to a painting's reverse, as well as the physical circumstances of its display. The authors demonstrate how this knowledge contributes to a wide range of historical and critical approaches, including iconography, regional and colonial studies, examination of artistic intent, interactions among artistic schools, and the history of collecting and exhibition. The book offers the only comprehensive discussion available on materials, techniques, and condition issues in Western easel paintings from medieval times to the present. It includes detailed case studies of 25 paintings by artists from Giotto and Leonardo to Vermeer, Degas, and Pollock. The extensive illustrations are drawn from more than forty-five international museums; the artists represented range from a Byzantine master and a Mexican colonial painter to living artists, including Helen Frankenthaler, Jacob Lawrence, and Robert Ryman. The book will fascinate and benefit beginning or advanced students of art history and their teachers, as well as painters, collectors, museum docents, and conservators. Those who have known paintings primarily from books, slides, and photographic reproductions will be exposed to a new dimension of their study"--Publisher's description</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Painting / Expertising</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Painting, American</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Painting, European</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Painting / Expertising</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Painting, American</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Painting, European</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Malmaterial</subfield><subfield code="0">(DE-588)4168721-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Gemäldeuntersuchung</subfield><subfield code="0">(DE-588)4156470-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Maltechnik</subfield><subfield code="0">(DE-588)4125812-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Geschichte</subfield><subfield code="0">(DE-588)4020517-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Geschichte</subfield><subfield code="0">(DE-588)4020517-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Maltechnik</subfield><subfield code="0">(DE-588)4125812-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Malmaterial</subfield><subfield code="0">(DE-588)4168721-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Maltechnik</subfield><subfield code="0">(DE-588)4125812-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="2" ind2="0"><subfield code="a">Geschichte</subfield><subfield code="0">(DE-588)4020517-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="2" ind2="1"><subfield code="a">Malmaterial</subfield><subfield code="0">(DE-588)4168721-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="2" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="3" ind2="0"><subfield code="a">Gemäldeuntersuchung</subfield><subfield code="0">(DE-588)4156470-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="3" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Levenson, Rustin S.</subfield><subfield code="d">1947-</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">9780300080469</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.37862/aaeportal.00110</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-338-YAA</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">KUBA2_ZDB-338-YAA_2024</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-035373096</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.37862/aaeportal.00110</subfield><subfield code="l">DE-255</subfield><subfield code="p">ZDB-338-YAA</subfield><subfield code="q">BZI</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection>
id DE-604.BV050035234
illustrated Illustrated
indexdate 2025-01-28T17:18:14Z
institution BVB
isbn 0300230028
9780300230024
language English
oai_aleph_id oai:aleph.bib-bvb.de:BVB01-035373096
oclc_num 1477598282
open_access_boolean
owner DE-255
owner_facet DE-255
physical 1 Online-Ressource (xvi, 328 Seiten) 268 Illustrationen, Porträts
psigel ZDB-338-YAA
KUBA2_ZDB-338-YAA_2024
ZDB-338-YAA BZI
publishDate 2000
publishDateSearch 2000
publishDateSort 2000
publisher Yale University Press
record_format marc
series2 Materials and meaning in the fine arts
spelling Kirsh, Andrea Verfasser aut
Seeing through paintings physical examination in art historical studies Andrea Kirsh, Rustin S. Levenson
New Haven Yale University Press [2000]
©2000
1 Online-Ressource (xvi, 328 Seiten) 268 Illustrationen, Porträts
txt rdacontent
c rdamedia
cr rdacarrier
Materials and meaning in the fine arts vol. 1
"This clear and accessible handbook introduces the nonspecialist to the physical examination of easel paintings and the historical and critical implications of such study. It takes the reader through the various layers of paintings, from support to varnish, and looks at information that might be attached to a painting's reverse, as well as the physical circumstances of its display. The authors demonstrate how this knowledge contributes to a wide range of historical and critical approaches, including iconography, regional and colonial studies, examination of artistic intent, interactions among artistic schools, and the history of collecting and exhibition. The book offers the only comprehensive discussion available on materials, techniques, and condition issues in Western easel paintings from medieval times to the present. It includes detailed case studies of 25 paintings by artists from Giotto and Leonardo to Vermeer, Degas, and Pollock. The extensive illustrations are drawn from more than forty-five international museums; the artists represented range from a Byzantine master and a Mexican colonial painter to living artists, including Helen Frankenthaler, Jacob Lawrence, and Robert Ryman. The book will fascinate and benefit beginning or advanced students of art history and their teachers, as well as painters, collectors, museum docents, and conservators. Those who have known paintings primarily from books, slides, and photographic reproductions will be exposed to a new dimension of their study"--Publisher's description
Painting / Expertising fast
Painting, American fast
Painting, European fast
Painting / Expertising
Painting, American
Painting, European
Malmaterial (DE-588)4168721-8 gnd rswk-swf
Gemäldeuntersuchung (DE-588)4156470-4 gnd rswk-swf
Maltechnik (DE-588)4125812-5 gnd rswk-swf
Geschichte (DE-588)4020517-4 gnd rswk-swf
Geschichte (DE-588)4020517-4 s
Maltechnik (DE-588)4125812-5 s
DE-604
Malmaterial (DE-588)4168721-8 s
Gemäldeuntersuchung (DE-588)4156470-4 s
Levenson, Rustin S. 1947- Sonstige oth
Erscheint auch als Druck-Ausgabe 9780300080469
https://doi.org/10.37862/aaeportal.00110 Verlag URL des Erstveröffentlichers Volltext
spellingShingle Kirsh, Andrea
Seeing through paintings physical examination in art historical studies
Painting / Expertising fast
Painting, American fast
Painting, European fast
Painting / Expertising
Painting, American
Painting, European
Malmaterial (DE-588)4168721-8 gnd
Gemäldeuntersuchung (DE-588)4156470-4 gnd
Maltechnik (DE-588)4125812-5 gnd
Geschichte (DE-588)4020517-4 gnd
subject_GND (DE-588)4168721-8
(DE-588)4156470-4
(DE-588)4125812-5
(DE-588)4020517-4
title Seeing through paintings physical examination in art historical studies
title_auth Seeing through paintings physical examination in art historical studies
title_exact_search Seeing through paintings physical examination in art historical studies
title_full Seeing through paintings physical examination in art historical studies Andrea Kirsh, Rustin S. Levenson
title_fullStr Seeing through paintings physical examination in art historical studies Andrea Kirsh, Rustin S. Levenson
title_full_unstemmed Seeing through paintings physical examination in art historical studies Andrea Kirsh, Rustin S. Levenson
title_short Seeing through paintings
title_sort seeing through paintings physical examination in art historical studies
title_sub physical examination in art historical studies
topic Painting / Expertising fast
Painting, American fast
Painting, European fast
Painting / Expertising
Painting, American
Painting, European
Malmaterial (DE-588)4168721-8 gnd
Gemäldeuntersuchung (DE-588)4156470-4 gnd
Maltechnik (DE-588)4125812-5 gnd
Geschichte (DE-588)4020517-4 gnd
topic_facet Painting / Expertising
Painting, American
Painting, European
Malmaterial
Gemäldeuntersuchung
Maltechnik
Geschichte
url https://doi.org/10.37862/aaeportal.00110
work_keys_str_mv AT kirshandrea seeingthroughpaintingsphysicalexaminationinarthistoricalstudies
AT levensonrustins seeingthroughpaintingsphysicalexaminationinarthistoricalstudies