Theorising the artist interview

"Reflecting on the relationship between artists and their audiences, this book examines how artists have presented themselves publicly through interviews and sought to establish a critical voice for themselves. Considering the interview as a form of cultural production, contributors explore the...

Ausführliche Beschreibung

Gespeichert in:
Bibliographische Detailangaben
Hauptverfasser: Farinati, Lucia (VerfasserIn, HerausgeberIn), Thatcher, Jennifer (VerfasserIn, HerausgeberIn)
Format: Elektronisch E-Book
Sprache:English
Veröffentlicht: New York ; London Routledge 2025
Schriftenreihe:Routledge research in art history
Schlagworte:
Online-Zugang:DE-255
Tags: Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!

MARC

LEADER 00000nam a22000008c 4500
001 BV049945366
003 DE-604
005 00000000000000.0
007 cr|uuu---uuuuu
008 241111s2025 xx a||| ob||| 00||| eng d
020 |a 9781003360575  |q ebook, Routledge  |9 978-1-003-36057-5 
020 |a 9781032419602  |q ebook  |9 978-1-032-41960-2 
024 7 |a 10.4324/9781003360575  |2 doi 
035 |a (DE-599)BVBBV049945366 
040 |a DE-604  |b ger  |e rda 
041 0 |a eng 
049 |a DE-255 
245 1 0 |a Theorising the artist interview  |c edited by Lucia Farinati and Jennifer Thatcher 
264 1 |a New York ; London  |b Routledge  |c 2025 
300 |a 1 Online-Ressource (xii, 240 Seiten)  |b Illustrationen 
336 |b txt  |2 rdacontent 
337 |b c  |2 rdamedia 
338 |b cr  |2 rdacarrier 
490 0 |a Routledge research in art history 
520 3 |a "Reflecting on the relationship between artists and their audiences, this book examines how artists have presented themselves publicly through interviews and sought to establish a critical voice for themselves. Considering the interview as a form of cultural production, contributors explore the criteria for determining the artist interview as a distinct field of research in relation to other cultural fields. Structured in four parts, 'History and Historiography', 'Subverting the Biographical Model', 'Interviews as Practice' and 'Materiality and Technology', the book takes an interdisciplinary approach that encompasses the fields of art history, fine art, oral history, curating, media studies and museum conservation. By theorising the artist interview as a form of cultural production and embracing it as a co-constructed critical practice, this volume aims to show and encourage an approach to art history which dismantles old hierarchies in favor of valuing dialogue and collaboration. The book will be of interest to scholars working in art history, museum studies, oral history, and historiography"-- 
653 0 |a Artists / Interviews 
653 0 |a Art / Historiography 
653 0 |a Art / Historiographie 
655 7 |0 (DE-588)4143413-4  |a Aufsatzsammlung  |2 gnd-content 
700 1 |a Farinati, Lucia  |0 (DE-588)1138593621  |4 edt  |4 aut 
700 1 |a Thatcher, Jennifer  |0 (DE-588)1345768109  |4 edt  |4 aut 
776 0 8 |i Erscheint auch als  |n Druck-Ausgabe  |z 978-1-032-41959-6  |w (DE-604)BV049798911 
912 |a ZDB-7-TFC 
940 1 |q KUBA2-EK_246-ZDB-7-TFC 
943 1 |a oai:aleph.bib-bvb.de:BVB01-035283487 
966 e |u https://doi.org/10.4324/9781003360575  |l DE-255  |p ZDB-7-TFC  |q BZI  |x Verlag  |3 Volltext 

Datensatz im Suchindex

_version_ 1819316944555212800
any_adam_object
author Farinati, Lucia
Thatcher, Jennifer
author2 Farinati, Lucia
Thatcher, Jennifer
author2_role edt
edt
author2_variant l f lf
j t jt
author_GND (DE-588)1138593621
(DE-588)1345768109
author_facet Farinati, Lucia
Thatcher, Jennifer
Farinati, Lucia
Thatcher, Jennifer
author_role aut
aut
author_sort Farinati, Lucia
author_variant l f lf
j t jt
building Verbundindex
bvnumber BV049945366
collection ZDB-7-TFC
ctrlnum (DE-599)BVBBV049945366
format Electronic
eBook
fullrecord <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02553nam a22003978c 4500</leader><controlfield tag="001">BV049945366</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">241111s2025 xx a||| ob||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781003360575</subfield><subfield code="q">ebook, Routledge</subfield><subfield code="9">978-1-003-36057-5</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781032419602</subfield><subfield code="q">ebook</subfield><subfield code="9">978-1-032-41960-2</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.4324/9781003360575</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049945366</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-255</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Theorising the artist interview</subfield><subfield code="c">edited by Lucia Farinati and Jennifer Thatcher</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York ; London</subfield><subfield code="b">Routledge</subfield><subfield code="c">2025</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (xii, 240 Seiten)</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Routledge research in art history</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"Reflecting on the relationship between artists and their audiences, this book examines how artists have presented themselves publicly through interviews and sought to establish a critical voice for themselves. Considering the interview as a form of cultural production, contributors explore the criteria for determining the artist interview as a distinct field of research in relation to other cultural fields. Structured in four parts, 'History and Historiography', 'Subverting the Biographical Model', 'Interviews as Practice' and 'Materiality and Technology', the book takes an interdisciplinary approach that encompasses the fields of art history, fine art, oral history, curating, media studies and museum conservation. By theorising the artist interview as a form of cultural production and embracing it as a co-constructed critical practice, this volume aims to show and encourage an approach to art history which dismantles old hierarchies in favor of valuing dialogue and collaboration. The book will be of interest to scholars working in art history, museum studies, oral history, and historiography"--</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Artists / Interviews</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Art / Historiography</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Art / Historiographie</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4143413-4</subfield><subfield code="a">Aufsatzsammlung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Farinati, Lucia</subfield><subfield code="0">(DE-588)1138593621</subfield><subfield code="4">edt</subfield><subfield code="4">aut</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Thatcher, Jennifer</subfield><subfield code="0">(DE-588)1345768109</subfield><subfield code="4">edt</subfield><subfield code="4">aut</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">978-1-032-41959-6</subfield><subfield code="w">(DE-604)BV049798911</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-7-TFC</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">KUBA2-EK_246-ZDB-7-TFC</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-035283487</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.4324/9781003360575</subfield><subfield code="l">DE-255</subfield><subfield code="p">ZDB-7-TFC</subfield><subfield code="q">BZI</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection>
genre (DE-588)4143413-4 Aufsatzsammlung gnd-content
genre_facet Aufsatzsammlung
id DE-604.BV049945366
illustrated Illustrated
indexdate 2024-12-24T10:24:03Z
institution BVB
isbn 9781003360575
9781032419602
language English
oai_aleph_id oai:aleph.bib-bvb.de:BVB01-035283487
open_access_boolean
owner DE-255
owner_facet DE-255
physical 1 Online-Ressource (xii, 240 Seiten) Illustrationen
psigel ZDB-7-TFC
KUBA2-EK_246-ZDB-7-TFC
ZDB-7-TFC BZI
publishDate 2025
publishDateSearch 2024
publishDateSort 2024
publisher Routledge
record_format marc
series2 Routledge research in art history
spelling Theorising the artist interview edited by Lucia Farinati and Jennifer Thatcher
New York ; London Routledge 2025
1 Online-Ressource (xii, 240 Seiten) Illustrationen
txt rdacontent
c rdamedia
cr rdacarrier
Routledge research in art history
"Reflecting on the relationship between artists and their audiences, this book examines how artists have presented themselves publicly through interviews and sought to establish a critical voice for themselves. Considering the interview as a form of cultural production, contributors explore the criteria for determining the artist interview as a distinct field of research in relation to other cultural fields. Structured in four parts, 'History and Historiography', 'Subverting the Biographical Model', 'Interviews as Practice' and 'Materiality and Technology', the book takes an interdisciplinary approach that encompasses the fields of art history, fine art, oral history, curating, media studies and museum conservation. By theorising the artist interview as a form of cultural production and embracing it as a co-constructed critical practice, this volume aims to show and encourage an approach to art history which dismantles old hierarchies in favor of valuing dialogue and collaboration. The book will be of interest to scholars working in art history, museum studies, oral history, and historiography"--
Artists / Interviews
Art / Historiography
Art / Historiographie
(DE-588)4143413-4 Aufsatzsammlung gnd-content
Farinati, Lucia (DE-588)1138593621 edt aut
Thatcher, Jennifer (DE-588)1345768109 edt aut
Erscheint auch als Druck-Ausgabe 978-1-032-41959-6 (DE-604)BV049798911
spellingShingle Farinati, Lucia
Thatcher, Jennifer
Theorising the artist interview
subject_GND (DE-588)4143413-4
title Theorising the artist interview
title_auth Theorising the artist interview
title_exact_search Theorising the artist interview
title_full Theorising the artist interview edited by Lucia Farinati and Jennifer Thatcher
title_fullStr Theorising the artist interview edited by Lucia Farinati and Jennifer Thatcher
title_full_unstemmed Theorising the artist interview edited by Lucia Farinati and Jennifer Thatcher
title_short Theorising the artist interview
title_sort theorising the artist interview
topic_facet Aufsatzsammlung
work_keys_str_mv AT farinatilucia theorisingtheartistinterview
AT thatcherjennifer theorisingtheartistinterview