Within the fabric of public space textile interventions in current processes of decolonizing monuments

The debate on decolonizing monuments has provoked a great deal of covering and shrouding of public sculptures. This paper looks at three examples and shows how textile interventions alter a monument’s visibility and, as products of (post)colonial trade or communal handicraft, add semantic layers. Ra...

Ausführliche Beschreibung

Gespeichert in:
Bibliographische Detailangaben
Hauptverfasser: Crasemann, Leena 1981- (VerfasserIn), Röhl, Anne 1984- (VerfasserIn)
Format: Elektronisch Artikel
Sprache:English
Veröffentlicht: 2024-10-07
Schlagworte:
Online-Zugang:kostenfrei
kostenfrei
Tags: Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!

MARC

LEADER 00000naa a2200000 c 4500
001 BV049933932
003 DE-604
005 00000000000000.0
007 cr|uuu---uuuuu
008 241101s2024 xx a||| o|||| 00||| eng d
024 7 |a 10.11588/xxi.2024.3.106636  |2 doi 
035 |a (DE-599)BVBBV049933932 
040 |a DE-604  |b ger  |e rda 
041 0 |a eng 
049 |a DE-Y3  |a DE-255  |a DE-Y7  |a DE-Y2 
100 1 |a Crasemann, Leena  |d 1981-  |e Verfasser  |0 (DE-588)142283401  |4 aut 
245 1 0 |a Within the fabric of public space  |b textile interventions in current processes of decolonizing monuments  |c Leena Crasemann & Anne Röhl 
264 1 |c 2024-10-07 
300 |b Illustrationen 
336 |b txt  |2 rdacontent 
337 |b c  |2 rdamedia 
338 |b cr  |2 rdacarrier 
520 3 |a The debate on decolonizing monuments has provoked a great deal of covering and shrouding of public sculptures. This paper looks at three examples and shows how textile interventions alter a monument’s visibility and, as products of (post)colonial trade or communal handicraft, add semantic layers. Ranging from The Kudzu Project’s marking of Confederate monuments in Charlottesville, VA, through the covering of the Robert Milligan statue by protesters in London, to a curated artwork by Joiri Minaya in Hamburg, the examples span both geographical regions and the recent history of the debate. The paper proposes that textile ephemerality questions concepts of history embedded in the traditional materiality of public sculptures and provides a model for imagining other practices of commemoration 
653 |a Denkmäler 
653 |a Ikonoklasmus 
653 |a Textilien 
653 |a Dekolonisierung 
653 |a Aktivismus 
700 1 |a Röhl, Anne  |d 1984-  |e Verfasser  |0 (DE-588)112735485X  |4 aut 
773 1 8 |g volume:5  |g number:3  |g year:2024  |g pages:721-760 
773 0 8 |t 21: inquiries into art, history, and the visual  |d Heidelberg, 2024  |g Bd. 5, Nr. 3 (2024), Seite 721-760  |w (DE-604)BV046617927  |x 2701-1550  |o (DE-600)3010740-4 
856 4 0 |u https://doi.org/10.11588/xxi.2024.3.106636  |x Resolving-System  |x Verlag  |z kostenfrei  |3 Volltext 
856 4 0 |u https://journals.ub.uni-heidelberg.de/index.php/xxi/article/view/106636  |x Verlag  |z kostenfrei  |3 Volltext 
912 |a ebook 
941 |b 5  |h 3  |j 2024  |s 721-760 
943 1 |a oai:aleph.bib-bvb.de:BVB01-035272265 

Datensatz im Suchindex

_version_ 1819316908759973888
any_adam_object
article_link (DE-604)BV046617927
author Crasemann, Leena 1981-
Röhl, Anne 1984-
author_GND (DE-588)142283401
(DE-588)112735485X
author_facet Crasemann, Leena 1981-
Röhl, Anne 1984-
author_role aut
aut
author_sort Crasemann, Leena 1981-
author_variant l c lc
a r ar
building Verbundindex
bvnumber BV049933932
collection ebook
ctrlnum (DE-599)BVBBV049933932
doi_str_mv 10.11588/xxi.2024.3.106636
format Electronic
Article
fullrecord <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02333naa a2200397 c 4500</leader><controlfield tag="001">BV049933932</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">241101s2024 xx a||| o|||| 00||| eng d</controlfield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.11588/xxi.2024.3.106636</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049933932</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-Y3</subfield><subfield code="a">DE-255</subfield><subfield code="a">DE-Y7</subfield><subfield code="a">DE-Y2</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Crasemann, Leena</subfield><subfield code="d">1981-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)142283401</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Within the fabric of public space</subfield><subfield code="b">textile interventions in current processes of decolonizing monuments</subfield><subfield code="c">Leena Crasemann &amp; Anne Röhl</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">2024-10-07</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">The debate on decolonizing monuments has provoked a great deal of covering and shrouding of public sculptures. This paper looks at three examples and shows how textile interventions alter a monument’s visibility and, as products of (post)colonial trade or communal handicraft, add semantic layers. Ranging from The Kudzu Project’s marking of Confederate monuments in Charlottesville, VA, through the covering of the Robert Milligan statue by protesters in London, to a curated artwork by Joiri Minaya in Hamburg, the examples span both geographical regions and the recent history of the debate. The paper proposes that textile ephemerality questions concepts of history embedded in the traditional materiality of public sculptures and provides a model for imagining other practices of commemoration</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Denkmäler</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Ikonoklasmus</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Textilien</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Dekolonisierung</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Aktivismus</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Röhl, Anne</subfield><subfield code="d">1984-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)112735485X</subfield><subfield code="4">aut</subfield></datafield><datafield tag="773" ind1="1" ind2="8"><subfield code="g">volume:5</subfield><subfield code="g">number:3</subfield><subfield code="g">year:2024</subfield><subfield code="g">pages:721-760</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="t">21: inquiries into art, history, and the visual</subfield><subfield code="d">Heidelberg, 2024</subfield><subfield code="g">Bd. 5, Nr. 3 (2024), Seite 721-760</subfield><subfield code="w">(DE-604)BV046617927</subfield><subfield code="x">2701-1550</subfield><subfield code="o">(DE-600)3010740-4</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.11588/xxi.2024.3.106636</subfield><subfield code="x">Resolving-System</subfield><subfield code="x">Verlag</subfield><subfield code="z">kostenfrei</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://journals.ub.uni-heidelberg.de/index.php/xxi/article/view/106636</subfield><subfield code="x">Verlag</subfield><subfield code="z">kostenfrei</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ebook</subfield></datafield><datafield tag="941" ind1=" " ind2=" "><subfield code="b">5</subfield><subfield code="h">3</subfield><subfield code="j">2024</subfield><subfield code="s">721-760</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-035272265</subfield></datafield></record></collection>
id DE-604.BV049933932
illustrated Illustrated
indexdate 2024-12-24T10:23:29Z
institution BVB
issn 2701-1550
language English
oai_aleph_id oai:aleph.bib-bvb.de:BVB01-035272265
open_access_boolean 1
owner DE-Y3
DE-255
DE-Y7
DE-Y2
owner_facet DE-Y3
DE-255
DE-Y7
DE-Y2
physical Illustrationen
psigel ebook
publishDate 2024
publishDateSearch 2024
publishDateSort 2024
record_format marc
spelling Crasemann, Leena 1981- Verfasser (DE-588)142283401 aut
Within the fabric of public space textile interventions in current processes of decolonizing monuments Leena Crasemann & Anne Röhl
2024-10-07
Illustrationen
txt rdacontent
c rdamedia
cr rdacarrier
The debate on decolonizing monuments has provoked a great deal of covering and shrouding of public sculptures. This paper looks at three examples and shows how textile interventions alter a monument’s visibility and, as products of (post)colonial trade or communal handicraft, add semantic layers. Ranging from The Kudzu Project’s marking of Confederate monuments in Charlottesville, VA, through the covering of the Robert Milligan statue by protesters in London, to a curated artwork by Joiri Minaya in Hamburg, the examples span both geographical regions and the recent history of the debate. The paper proposes that textile ephemerality questions concepts of history embedded in the traditional materiality of public sculptures and provides a model for imagining other practices of commemoration
Denkmäler
Ikonoklasmus
Textilien
Dekolonisierung
Aktivismus
Röhl, Anne 1984- Verfasser (DE-588)112735485X aut
volume:5 number:3 year:2024 pages:721-760
21: inquiries into art, history, and the visual Heidelberg, 2024 Bd. 5, Nr. 3 (2024), Seite 721-760 (DE-604)BV046617927 2701-1550 (DE-600)3010740-4
https://doi.org/10.11588/xxi.2024.3.106636 Resolving-System Verlag kostenfrei Volltext
https://journals.ub.uni-heidelberg.de/index.php/xxi/article/view/106636 Verlag kostenfrei Volltext
spellingShingle Crasemann, Leena 1981-
Röhl, Anne 1984-
Within the fabric of public space textile interventions in current processes of decolonizing monuments
title Within the fabric of public space textile interventions in current processes of decolonizing monuments
title_auth Within the fabric of public space textile interventions in current processes of decolonizing monuments
title_exact_search Within the fabric of public space textile interventions in current processes of decolonizing monuments
title_full Within the fabric of public space textile interventions in current processes of decolonizing monuments Leena Crasemann & Anne Röhl
title_fullStr Within the fabric of public space textile interventions in current processes of decolonizing monuments Leena Crasemann & Anne Röhl
title_full_unstemmed Within the fabric of public space textile interventions in current processes of decolonizing monuments Leena Crasemann & Anne Röhl
title_short Within the fabric of public space
title_sort within the fabric of public space textile interventions in current processes of decolonizing monuments
title_sub textile interventions in current processes of decolonizing monuments
url https://doi.org/10.11588/xxi.2024.3.106636
https://journals.ub.uni-heidelberg.de/index.php/xxi/article/view/106636
work_keys_str_mv AT crasemannleena withinthefabricofpublicspacetextileinterventionsincurrentprocessesofdecolonizingmonuments
AT rohlanne withinthefabricofpublicspacetextileinterventionsincurrentprocessesofdecolonizingmonuments