The global politics of jazz in the twentieth century cultural diplomacy and "American music"
From the mid-1950s to the late 1970s, jazz was harnessed as America’s "sonic weapon" to promote an image to the world of a free and democratic America. Dizzy Gillespie, Dave Brubeck, Duke Ellington and other well-known jazz musicians were sent around the world – including to an array of Co...
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| Format: | Buch |
| Sprache: | English |
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London ; New York
Routledge, Taylor & Francis group
2021
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| Ausgabe: | First issued in paperback |
| Schriftenreihe: | Routledge advances in international relations and global politics
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| Online-Zugang: | Inhaltsverzeichnis |
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| 100 | 1 | |a Saitō, Yoshiomi |d 1976- |e Verfasser |0 (DE-588)1195734948 |4 aut | |
| 245 | 1 | 0 | |a The global politics of jazz in the twentieth century |b cultural diplomacy and "American music" |c Yoshiomi Saito |
| 250 | |a First issued in paperback | ||
| 264 | 1 | |a London ; New York |b Routledge, Taylor & Francis group |c 2021 | |
| 300 | |a x, 198 Seiten |c 308 gr | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Routledge advances in international relations and global politics | |
| 500 | |a Acknowledgements; Abbreviations; Introduction; 1 The genealogy of "American music"; 2 The scene changes in postwar jazz politics; 3 Jazz ambassadors revisited; 4 The politics behind the selection process; 5 Anti-Americanism in the Western jazz discourse; 6 Containing the Soviet jazz scene; 7 Contesting discourses in East European jazz scenes; 8 Making jazz great again; Conclusion; Bibliography; Index | ||
| 520 | |a From the mid-1950s to the late 1970s, jazz was harnessed as America’s "sonic weapon" to promote an image to the world of a free and democratic America. Dizzy Gillespie, Dave Brubeck, Duke Ellington and other well-known jazz musicians were sent around the world – including to an array of Communist countries – as "jazz ambassadors" in order to mitigate the negative image associated with domestic racial problems. While many non-Americans embraced the Americanism behind this jazz diplomacy without question, others criticized American domestic and foreign policies while still appreciating jazz – thus jazz, despite its popularity, also became a medium for expressing anti-Americanism. This book examines the development of jazz outside America, including across diverse historical periods and geographies – shedding light on the effectiveness of jazz as an instrument of state power within a global political context. Saito examines jazz across a wide range of regions, including America, Europe, Japan and Communist countries. His research also draws heavily upon a variety of sources, primary as well as secondary, which are accessible in these diverse countries: all had their unique and culturally specific domestic jazz scenes, but also interacted with each other in an interesting dimension of early globalization. This comparative analysis on the range of unique jazz scenes and cultures offers a detailed understanding as to how jazz has been interpreted in various ways, according to the changing contexts of politics and society around it, often providing a basis for criticizing America itself. Furthering our appreciation of the organic relationship between jazz and global politics, Saito reconsiders the uniqueness of jazz as an exclusively "American music."This book will be of interest to students and scholars of international relations, the history of popular music, and global politics | ||
| 650 | 4 | |a bicssc / Rock & Pop music | |
| 650 | 4 | |a bicssc / Media studies | |
| 650 | 4 | |a bicssc / Politics & government | |
| 650 | 4 | |a bicssc / Jazz | |
| 650 | 4 | |a bicssc / The Cold War | |
| 650 | 4 | |a bicssc / 20th century & contemporary classical music | |
| 650 | 4 | |a bicssc / 20th century history - c 1900 to c 2000 | |
| 650 | 4 | |a bicssc / Political economy | |
| 650 | 4 | |a bisacsh / SOCIAL SCIENCE / Regional Studies | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-0-429-06059-5 |
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| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-035201202 | |
Datensatz im Suchindex
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Contents Acknowledgements Abbreviations Introduction vii ix 1 1 The genealogy of “American music” 10 2 The scene changes in postwar jazz politics 29 3 Jazz ambassadors revisited 45 4 The politics behind the selection process 65 5 Anti-Americanism in the Western jazz discourse 84 6 Containing the Soviet jazz scene 106 7 Contesting discourses in East European jazz scenes 130 8 Making jazz great again 152 Conclusion Bibliography Index 165 169 184 |
| any_adam_object | 1 |
| author | Saitō, Yoshiomi 1976- |
| author_GND | (DE-588)1195734948 |
| author_facet | Saitō, Yoshiomi 1976- |
| author_role | aut |
| author_sort | Saitō, Yoshiomi 1976- |
| author_variant | y s ys |
| building | Verbundindex |
| bvnumber | BV049861504 |
| classification_rvk | LS 48100 |
| ctrlnum | (OCoLC)1466900659 (DE-599)BVBBV049861504 |
| discipline | Musikwissenschaft |
| edition | First issued in paperback |
| format | Book |
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| id | DE-604.BV049861504 |
| illustrated | Not Illustrated |
| indexdate | 2025-01-02T18:11:43Z |
| institution | BVB |
| isbn | 9781032090030 9780367182984 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035201202 |
| oclc_num | 1466900659 |
| open_access_boolean | |
| owner | DE-473 DE-BY-UBG |
| owner_facet | DE-473 DE-BY-UBG |
| physical | x, 198 Seiten 308 gr |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Routledge, Taylor & Francis group |
| record_format | marc |
| series2 | Routledge advances in international relations and global politics |
| spelling | Saitō, Yoshiomi 1976- Verfasser (DE-588)1195734948 aut The global politics of jazz in the twentieth century cultural diplomacy and "American music" Yoshiomi Saito First issued in paperback London ; New York Routledge, Taylor & Francis group 2021 x, 198 Seiten 308 gr txt rdacontent n rdamedia nc rdacarrier Routledge advances in international relations and global politics Acknowledgements; Abbreviations; Introduction; 1 The genealogy of "American music"; 2 The scene changes in postwar jazz politics; 3 Jazz ambassadors revisited; 4 The politics behind the selection process; 5 Anti-Americanism in the Western jazz discourse; 6 Containing the Soviet jazz scene; 7 Contesting discourses in East European jazz scenes; 8 Making jazz great again; Conclusion; Bibliography; Index From the mid-1950s to the late 1970s, jazz was harnessed as America’s "sonic weapon" to promote an image to the world of a free and democratic America. Dizzy Gillespie, Dave Brubeck, Duke Ellington and other well-known jazz musicians were sent around the world – including to an array of Communist countries – as "jazz ambassadors" in order to mitigate the negative image associated with domestic racial problems. While many non-Americans embraced the Americanism behind this jazz diplomacy without question, others criticized American domestic and foreign policies while still appreciating jazz – thus jazz, despite its popularity, also became a medium for expressing anti-Americanism. This book examines the development of jazz outside America, including across diverse historical periods and geographies – shedding light on the effectiveness of jazz as an instrument of state power within a global political context. Saito examines jazz across a wide range of regions, including America, Europe, Japan and Communist countries. His research also draws heavily upon a variety of sources, primary as well as secondary, which are accessible in these diverse countries: all had their unique and culturally specific domestic jazz scenes, but also interacted with each other in an interesting dimension of early globalization. This comparative analysis on the range of unique jazz scenes and cultures offers a detailed understanding as to how jazz has been interpreted in various ways, according to the changing contexts of politics and society around it, often providing a basis for criticizing America itself. Furthering our appreciation of the organic relationship between jazz and global politics, Saito reconsiders the uniqueness of jazz as an exclusively "American music."This book will be of interest to students and scholars of international relations, the history of popular music, and global politics bicssc / Rock & Pop music bicssc / Media studies bicssc / Politics & government bicssc / Jazz bicssc / The Cold War bicssc / 20th century & contemporary classical music bicssc / 20th century history - c 1900 to c 2000 bicssc / Political economy bisacsh / SOCIAL SCIENCE / Regional Studies Erscheint auch als Online-Ausgabe 978-0-429-06059-5 Digitalisierung UB Bamberg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035201202&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Saitō, Yoshiomi 1976- The global politics of jazz in the twentieth century cultural diplomacy and "American music" bicssc / Rock & Pop music bicssc / Media studies bicssc / Politics & government bicssc / Jazz bicssc / The Cold War bicssc / 20th century & contemporary classical music bicssc / 20th century history - c 1900 to c 2000 bicssc / Political economy bisacsh / SOCIAL SCIENCE / Regional Studies |
| title | The global politics of jazz in the twentieth century cultural diplomacy and "American music" |
| title_auth | The global politics of jazz in the twentieth century cultural diplomacy and "American music" |
| title_exact_search | The global politics of jazz in the twentieth century cultural diplomacy and "American music" |
| title_full | The global politics of jazz in the twentieth century cultural diplomacy and "American music" Yoshiomi Saito |
| title_fullStr | The global politics of jazz in the twentieth century cultural diplomacy and "American music" Yoshiomi Saito |
| title_full_unstemmed | The global politics of jazz in the twentieth century cultural diplomacy and "American music" Yoshiomi Saito |
| title_short | The global politics of jazz in the twentieth century |
| title_sort | the global politics of jazz in the twentieth century cultural diplomacy and american music |
| title_sub | cultural diplomacy and "American music" |
| topic | bicssc / Rock & Pop music bicssc / Media studies bicssc / Politics & government bicssc / Jazz bicssc / The Cold War bicssc / 20th century & contemporary classical music bicssc / 20th century history - c 1900 to c 2000 bicssc / Political economy bisacsh / SOCIAL SCIENCE / Regional Studies |
| topic_facet | bicssc / Rock & Pop music bicssc / Media studies bicssc / Politics & government bicssc / Jazz bicssc / The Cold War bicssc / 20th century & contemporary classical music bicssc / 20th century history - c 1900 to c 2000 bicssc / Political economy bisacsh / SOCIAL SCIENCE / Regional Studies |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035201202&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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