Permeable membranes the archive in visual atlas constructions
This study examines three large photo-based installations in which the role of memory construction in photography is explored, with emphasis on the concept of image accumulation in the digital era. These installations aim to restore photography as object while exploring the immersive and experientia...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch Artikel |
| Sprache: | English |
| Veröffentlicht: |
2024
|
| Schlagworte: | |
| Online-Zugang: | kostenfrei kostenfrei |
| Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
MARC
| LEADER | 00000naa a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV049815162 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 240809s2024 xx a||| o|||| 00||| eng d | ||
| 024 | 7 | |a 10.5281/zenodo.12545044 |2 doi | |
| 035 | |a (OCoLC)1454762764 | ||
| 035 | |a (DE-599)BVBBV049815162 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-Y3 |a DE-255 |a DE-Y7 |a DE-Y2 | ||
| 100 | 1 | |a Caputo, Amalia |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Permeable membranes |b the archive in visual atlas constructions |c Amalia Caputo |
| 264 | 1 | |c 2024 | |
| 300 | |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 336 | |b sti |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 520 | 3 | |a This study examines three large photo-based installations in which the role of memory construction in photography is explored, with emphasis on the concept of image accumulation in the digital era. These installations aim to restore photography as object while exploring the immersive and experiential qualities of physical environments filled with images, in opposition to the digital experience through screens. The visual essay delves into the evolving relationship between photography, the archive and its transformative nature, as it transitions from a digital transient realm, and returns to a physical manifestation (Art Installation, Atlas). The focus on building thematic "Atlases" that serve as spaces for interpretation, draws inspiration from Georges Didi-Huberman’s take on Aby Warburg’s Mnemosyne Atlas. The works created aim to contextualize the symbolic universe of images, and the construction of visual atlases as historical archives creating permeable and tangible membranes that provide evidence of our contemporary visual experience. | |
| 650 | 4 | |a photography, memory, archive, material culture, visual atlas | |
| 773 | 1 | 8 | |g volume:4 |g year:2024 |g pages:167-181 |
| 773 | 0 | 8 | |t Archivo papers |d [Erscheinungsort nicht ermittelbar], 2024 |g Vol. 4 (2024), Seite 167-181 |w (DE-604)BV049568100 |x 2184-9218 |o (DE-600)3178680-7 |
| 856 | 4 | 0 | |u https://archivopapersjournal.com/ojs/index.php/apj/article/view/104 |x Verlag |z kostenfrei |3 Abstract |
| 856 | 4 | 0 | |u https://archivopapersjournal.com/ojs/index.php/apj/article/view/104/116 |x Verlag |z kostenfrei |3 Volltext |
| 941 | |b 4 |j 2024 |s 167-181 | ||
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-035155459 | |
Datensatz im Suchindex
| _version_ | 1819316594560466944 |
|---|---|
| any_adam_object | |
| article_link | (DE-604)BV049568100 |
| author | Caputo, Amalia |
| author_facet | Caputo, Amalia |
| author_role | aut |
| author_sort | Caputo, Amalia |
| author_variant | a c ac |
| building | Verbundindex |
| bvnumber | BV049815162 |
| ctrlnum | (OCoLC)1454762764 (DE-599)BVBBV049815162 |
| format | Electronic Article |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02385naa a2200349 c 4500</leader><controlfield tag="001">BV049815162</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">240809s2024 xx a||| o|||| 00||| eng d</controlfield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.5281/zenodo.12545044</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1454762764</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049815162</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-Y3</subfield><subfield code="a">DE-255</subfield><subfield code="a">DE-Y7</subfield><subfield code="a">DE-Y2</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Caputo, Amalia</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Permeable membranes</subfield><subfield code="b">the archive in visual atlas constructions</subfield><subfield code="c">Amalia Caputo</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">2024</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">sti</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">This study examines three large photo-based installations in which the role of memory construction in photography is explored, with emphasis on the concept of image accumulation in the digital era. These installations aim to restore photography as object while exploring the immersive and experiential qualities of physical environments filled with images, in opposition to the digital experience through screens. The visual essay delves into the evolving relationship between photography, the archive and its transformative nature, as it transitions from a digital transient realm, and returns to a physical manifestation (Art Installation, Atlas). The focus on building thematic "Atlases" that serve as spaces for interpretation, draws inspiration from Georges Didi-Huberman’s take on Aby Warburg’s Mnemosyne Atlas. The works created aim to contextualize the symbolic universe of images, and the construction of visual atlases as historical archives creating permeable and tangible membranes that provide evidence of our contemporary visual experience.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">photography, memory, archive, material culture, visual atlas</subfield></datafield><datafield tag="773" ind1="1" ind2="8"><subfield code="g">volume:4</subfield><subfield code="g">year:2024</subfield><subfield code="g">pages:167-181</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="t">Archivo papers</subfield><subfield code="d">[Erscheinungsort nicht ermittelbar], 2024</subfield><subfield code="g">Vol. 4 (2024), Seite 167-181</subfield><subfield code="w">(DE-604)BV049568100</subfield><subfield code="x">2184-9218</subfield><subfield code="o">(DE-600)3178680-7</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://archivopapersjournal.com/ojs/index.php/apj/article/view/104</subfield><subfield code="x">Verlag</subfield><subfield code="z">kostenfrei</subfield><subfield code="3">Abstract</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://archivopapersjournal.com/ojs/index.php/apj/article/view/104/116</subfield><subfield code="x">Verlag</subfield><subfield code="z">kostenfrei</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="941" ind1=" " ind2=" "><subfield code="b">4</subfield><subfield code="j">2024</subfield><subfield code="s">167-181</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-035155459</subfield></datafield></record></collection> |
| id | DE-604.BV049815162 |
| illustrated | Illustrated |
| indexdate | 2024-12-24T10:18:29Z |
| institution | BVB |
| issn | 2184-9218 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035155459 |
| oclc_num | 1454762764 |
| open_access_boolean | 1 |
| owner | DE-Y3 DE-255 DE-Y7 DE-Y2 |
| owner_facet | DE-Y3 DE-255 DE-Y7 DE-Y2 |
| physical | Illustrationen |
| publishDate | 2024 |
| publishDateSearch | 2024 |
| publishDateSort | 2024 |
| record_format | marc |
| spelling | Caputo, Amalia Verfasser aut Permeable membranes the archive in visual atlas constructions Amalia Caputo 2024 Illustrationen txt rdacontent sti rdacontent c rdamedia cr rdacarrier This study examines three large photo-based installations in which the role of memory construction in photography is explored, with emphasis on the concept of image accumulation in the digital era. These installations aim to restore photography as object while exploring the immersive and experiential qualities of physical environments filled with images, in opposition to the digital experience through screens. The visual essay delves into the evolving relationship between photography, the archive and its transformative nature, as it transitions from a digital transient realm, and returns to a physical manifestation (Art Installation, Atlas). The focus on building thematic "Atlases" that serve as spaces for interpretation, draws inspiration from Georges Didi-Huberman’s take on Aby Warburg’s Mnemosyne Atlas. The works created aim to contextualize the symbolic universe of images, and the construction of visual atlases as historical archives creating permeable and tangible membranes that provide evidence of our contemporary visual experience. photography, memory, archive, material culture, visual atlas volume:4 year:2024 pages:167-181 Archivo papers [Erscheinungsort nicht ermittelbar], 2024 Vol. 4 (2024), Seite 167-181 (DE-604)BV049568100 2184-9218 (DE-600)3178680-7 https://archivopapersjournal.com/ojs/index.php/apj/article/view/104 Verlag kostenfrei Abstract https://archivopapersjournal.com/ojs/index.php/apj/article/view/104/116 Verlag kostenfrei Volltext |
| spellingShingle | Caputo, Amalia Permeable membranes the archive in visual atlas constructions photography, memory, archive, material culture, visual atlas |
| title | Permeable membranes the archive in visual atlas constructions |
| title_auth | Permeable membranes the archive in visual atlas constructions |
| title_exact_search | Permeable membranes the archive in visual atlas constructions |
| title_full | Permeable membranes the archive in visual atlas constructions Amalia Caputo |
| title_fullStr | Permeable membranes the archive in visual atlas constructions Amalia Caputo |
| title_full_unstemmed | Permeable membranes the archive in visual atlas constructions Amalia Caputo |
| title_short | Permeable membranes |
| title_sort | permeable membranes the archive in visual atlas constructions |
| title_sub | the archive in visual atlas constructions |
| topic | photography, memory, archive, material culture, visual atlas |
| topic_facet | photography, memory, archive, material culture, visual atlas |
| url | https://archivopapersjournal.com/ojs/index.php/apj/article/view/104 https://archivopapersjournal.com/ojs/index.php/apj/article/view/104/116 |
| work_keys_str_mv | AT caputoamalia permeablemembranesthearchiveinvisualatlasconstructions |