Donald Rodney Autoicon
"Donald Rodney's Autoicon, a work originally produced as both a website and CD-ROM, was conceived by the artist in the mid-1990s but not completed until two years after his death in 1998. Referencing Jeremy Bentham's infamous nineteenth-century "Auto-Icon," the work proposes...
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Format: | Elektronisch E-Book |
Sprache: | English |
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Cambridge
Afterall Publishing
2023
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Schriftenreihe: | One Work
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020 | |a 9781846382581 |9 978-1-84638-258-1 | ||
035 | |a (OCoLC)1443593546 | ||
035 | |a (DE-599)BVBBV049749144 | ||
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100 | 1 | |a Birkett, Richard |d 19XX- |e Verfasser |0 (DE-588)104968205X |4 aut | |
245 | 1 | 0 | |a Donald Rodney |b Autoicon |c Richard Birkett |
264 | 1 | |a Cambridge |b Afterall Publishing |c 2023 | |
300 | |a 1 Online-Ressource (129 Seiten) |b Illustrationen | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
490 | 0 | |a One Work | |
500 | |a Description based upon print version of record | ||
505 | 8 | |a Intro -- Contents -- Preface -- The hardware -- The software -- The surroundings -- The interaction -- User: When will this work be complete? -- Notes | |
520 | 3 | |a "Donald Rodney's Autoicon, a work originally produced as both a website and CD-ROM, was conceived by the artist in the mid-1990s but not completed until two years after his death in 1998. Referencing Jeremy Bentham's infamous nineteenth-century "Auto-Icon," the work proposes an extension of the personhood and presence of Rodney, while critically challenging dominant conceptions of the self, the body, and historicity. Grounded in a partial collection of medical documents that constitute biomedicine's attempts to comprehensively "know" and maintain Rodney's body during his lifelong experience of sickle-cell an[ae]mia, Autoicon pursues the artist's address, from the mid-1980s onward, of the British social and institutional body's cellular composition through racialized, biopolitical power. | |
520 | 3 | |a Autoicon consists of a Java-based AI and neural network that engages the user in text-based "chat," and provides responses by drawing from a dense body of "data points" related to Rodney and his work, including documentation of artworks, medical records, interviews, images, notes, and video. Pulling both from this internal archive and the external archive of the Internet, a "montage machine" composes constantly mutating images according to a rule-based system established around Rodney's working process. In this One Work edition, curator Richard Birkett traces the distinct contemporary presence of Autoicon, and the ideas and relations that emerged around its conception before and after Rodney's death, particularly linking the work to the artist's seminal 1997 exhibition 9 Night in Eldorado. | |
520 | 3 | |a Birkett addresses Autoicon as both an index of entangled social and material relations around Rodney--a form of dispersed memory--and a vector of critical creative production that continues to resonate with contemporary artistic practices and radical thought. While attuned to late twentieth century discourse around the body's dissolution into the "virtual" and the technological potential for extending consciousness, in its content and structure Autoicon locates these discourses of the human and posthuman in relation to the durable productive forces of post-Enlightenment racialization and ableism. The workings of the mind that Autoicon presents are intrinsically tied to Rodney's wider use in his work of bodily matter, and genealogically bound to a Black history of displacement, dispossession, and resistance experienced physiologically, socially, and familially by the artist. | |
653 | 1 | |a Rodney, Donald / 1961-1998 / Autoicon | |
653 | 0 | |a Artists, Black / Health / 20th century | |
653 | 0 | |a Art, English / African influences / Data processing / Health / 20th century | |
653 | 0 | |a Creation (Literary, artistic, etc.) / African influences / Data processing / Health / 20th century | |
653 | 0 | |a Artistes noirs / Santé / 20e siècle | |
776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 978-1-84638-257-4 |a Birkett, Richard |t Donald Rodney |d Cambridge : Afterall Publishing,c2023 |
912 | |a ZDB-30-PQE | ||
943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-035090869 |
Datensatz im Suchindex
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---|---|
any_adam_object | |
author | Birkett, Richard 19XX- |
author_GND | (DE-588)104968205X |
author_facet | Birkett, Richard 19XX- |
author_role | aut |
author_sort | Birkett, Richard 19XX- |
author_variant | r b rb |
building | Verbundindex |
bvnumber | BV049749144 |
collection | ZDB-30-PQE |
contents | Intro -- Contents -- Preface -- The hardware -- The software -- The surroundings -- The interaction -- User: When will this work be complete? -- Notes |
ctrlnum | (OCoLC)1443593546 (DE-599)BVBBV049749144 |
format | Electronic eBook |
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id | DE-604.BV049749144 |
illustrated | Illustrated |
indexdate | 2024-12-24T10:16:24Z |
institution | BVB |
isbn | 9781846382581 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-035090869 |
oclc_num | 1443593546 |
open_access_boolean | |
owner | DE-B170 |
owner_facet | DE-B170 |
physical | 1 Online-Ressource (129 Seiten) Illustrationen |
psigel | ZDB-30-PQE |
publishDate | 2023 |
publishDateSearch | 2023 |
publishDateSort | 2023 |
publisher | Afterall Publishing |
record_format | marc |
series2 | One Work |
spelling | Birkett, Richard 19XX- Verfasser (DE-588)104968205X aut Donald Rodney Autoicon Richard Birkett Cambridge Afterall Publishing 2023 1 Online-Ressource (129 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier One Work Description based upon print version of record Intro -- Contents -- Preface -- The hardware -- The software -- The surroundings -- The interaction -- User: When will this work be complete? -- Notes "Donald Rodney's Autoicon, a work originally produced as both a website and CD-ROM, was conceived by the artist in the mid-1990s but not completed until two years after his death in 1998. Referencing Jeremy Bentham's infamous nineteenth-century "Auto-Icon," the work proposes an extension of the personhood and presence of Rodney, while critically challenging dominant conceptions of the self, the body, and historicity. Grounded in a partial collection of medical documents that constitute biomedicine's attempts to comprehensively "know" and maintain Rodney's body during his lifelong experience of sickle-cell an[ae]mia, Autoicon pursues the artist's address, from the mid-1980s onward, of the British social and institutional body's cellular composition through racialized, biopolitical power. Autoicon consists of a Java-based AI and neural network that engages the user in text-based "chat," and provides responses by drawing from a dense body of "data points" related to Rodney and his work, including documentation of artworks, medical records, interviews, images, notes, and video. Pulling both from this internal archive and the external archive of the Internet, a "montage machine" composes constantly mutating images according to a rule-based system established around Rodney's working process. In this One Work edition, curator Richard Birkett traces the distinct contemporary presence of Autoicon, and the ideas and relations that emerged around its conception before and after Rodney's death, particularly linking the work to the artist's seminal 1997 exhibition 9 Night in Eldorado. Birkett addresses Autoicon as both an index of entangled social and material relations around Rodney--a form of dispersed memory--and a vector of critical creative production that continues to resonate with contemporary artistic practices and radical thought. While attuned to late twentieth century discourse around the body's dissolution into the "virtual" and the technological potential for extending consciousness, in its content and structure Autoicon locates these discourses of the human and posthuman in relation to the durable productive forces of post-Enlightenment racialization and ableism. The workings of the mind that Autoicon presents are intrinsically tied to Rodney's wider use in his work of bodily matter, and genealogically bound to a Black history of displacement, dispossession, and resistance experienced physiologically, socially, and familially by the artist. Rodney, Donald / 1961-1998 / Autoicon Artists, Black / Health / 20th century Art, English / African influences / Data processing / Health / 20th century Creation (Literary, artistic, etc.) / African influences / Data processing / Health / 20th century Artistes noirs / Santé / 20e siècle Erscheint auch als Druck-Ausgabe 978-1-84638-257-4 Birkett, Richard Donald Rodney Cambridge : Afterall Publishing,c2023 |
spellingShingle | Birkett, Richard 19XX- Donald Rodney Autoicon Intro -- Contents -- Preface -- The hardware -- The software -- The surroundings -- The interaction -- User: When will this work be complete? -- Notes |
title | Donald Rodney Autoicon |
title_auth | Donald Rodney Autoicon |
title_exact_search | Donald Rodney Autoicon |
title_full | Donald Rodney Autoicon Richard Birkett |
title_fullStr | Donald Rodney Autoicon Richard Birkett |
title_full_unstemmed | Donald Rodney Autoicon Richard Birkett |
title_short | Donald Rodney |
title_sort | donald rodney autoicon |
title_sub | Autoicon |
work_keys_str_mv | AT birkettrichard donaldrodneyautoicon |