The oneiric in the films of David Lynch a phenomenological approach
"The Oneiric in the Films of David Lynch is the first systematic book-length study to explore the nature and function of dreams in David Lynch's different phases and audio-visual formats. There is hardly a contemporary film director whose name is as closely linked to the dream(-like) as th...
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| Sprache: | English |
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New York ; London
Bloomsbury Academic
2024
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| Schriftenreihe: | Bloomsbury collections
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| 520 | 3 | |a "The Oneiric in the Films of David Lynch is the first systematic book-length study to explore the nature and function of dreams in David Lynch's different phases and audio-visual formats. There is hardly a contemporary film director whose name is as closely linked to the dream(-like) as that of David Lynch. Both popular and academic discourse frequently identify Lynch’s films by their dreamlike qualities. However, in the existing literature on Lynch, these qualities tend to remain underspecified in terms of their experiential dimension. Departing from an interest in the phenomenon of dream experience, this is the first systematic book-length study exploring the nature and function of the oneiric in the director’s different phases and audio-visual formats. It shows that, over the course of 50 years, Lynch has developed a cinematic aesthetics of the oneiric ? an ensemble of four dream-related dimensions that unfolds its full potential in the dynamic interplay between sensory address and reflective medialization. On the one hand, the Lynchian oneiric presents a markedly sensory-perceptual mode of experience – both characters and viewers are challenged in their perceptual patterns, while at the same time being immersed in the material dream scenario. On the other hand, the Lynchian oneiric provides a mode of both psychological and medial reflection. Not only the characters, but the films themselves are inclined to ‘turn back’ on themselves in a dream, exploring the preconditions, possibilities, and limitations of their own existence and ability to know the world. The oneiric in Lynch’s films is thus of phenomenological, media-theoretical, and philosophical interest." | |
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Datensatz im Suchindex
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| author | Morschett, Raphael 1992- |
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| id | DE-604.BV049675589 |
| illustrated | Illustrated |
| indexdate | 2024-12-24T10:14:00Z |
| institution | BVB |
| isbn | 9798765107065 9798765107072 9798765107089 |
| language | English |
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| oclc_num | 1437843127 |
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| physical | 1 Online-Ressource (280 Seiten) Illustrationen |
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| publisher | Bloomsbury Academic |
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| spelling | Morschett, Raphael 1992- Verfasser (DE-588)1082797618 aut The oneiric in the films of David Lynch a phenomenological approach Raphael Morschett New York ; London Bloomsbury Academic 2024 1 Online-Ressource (280 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Bloomsbury collections "The Oneiric in the Films of David Lynch is the first systematic book-length study to explore the nature and function of dreams in David Lynch's different phases and audio-visual formats. There is hardly a contemporary film director whose name is as closely linked to the dream(-like) as that of David Lynch. Both popular and academic discourse frequently identify Lynch’s films by their dreamlike qualities. However, in the existing literature on Lynch, these qualities tend to remain underspecified in terms of their experiential dimension. Departing from an interest in the phenomenon of dream experience, this is the first systematic book-length study exploring the nature and function of the oneiric in the director’s different phases and audio-visual formats. It shows that, over the course of 50 years, Lynch has developed a cinematic aesthetics of the oneiric ? an ensemble of four dream-related dimensions that unfolds its full potential in the dynamic interplay between sensory address and reflective medialization. On the one hand, the Lynchian oneiric presents a markedly sensory-perceptual mode of experience – both characters and viewers are challenged in their perceptual patterns, while at the same time being immersed in the material dream scenario. On the other hand, the Lynchian oneiric provides a mode of both psychological and medial reflection. Not only the characters, but the films themselves are inclined to ‘turn back’ on themselves in a dream, exploring the preconditions, possibilities, and limitations of their own existence and ability to know the world. The oneiric in Lynch’s films is thus of phenomenological, media-theoretical, and philosophical interest." Lynch, David 1946- (DE-588)119035316 gnd rswk-swf Lynch, David / 1946- / Criticism and interpretation Dreams in motion pictures Lynch, David 1946- (DE-588)119035316 p DE-604 Erscheint auch als Druck-Ausgabe, hbk 979-8-7651-0704-1 https://doi.org/10.5040/9798765107065?locatt=label:secondary_bloomsburyCollections Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Morschett, Raphael 1992- The oneiric in the films of David Lynch a phenomenological approach Lynch, David 1946- (DE-588)119035316 gnd |
| subject_GND | (DE-588)119035316 |
| title | The oneiric in the films of David Lynch a phenomenological approach |
| title_auth | The oneiric in the films of David Lynch a phenomenological approach |
| title_exact_search | The oneiric in the films of David Lynch a phenomenological approach |
| title_full | The oneiric in the films of David Lynch a phenomenological approach Raphael Morschett |
| title_fullStr | The oneiric in the films of David Lynch a phenomenological approach Raphael Morschett |
| title_full_unstemmed | The oneiric in the films of David Lynch a phenomenological approach Raphael Morschett |
| title_short | The oneiric in the films of David Lynch |
| title_sort | the oneiric in the films of david lynch a phenomenological approach |
| title_sub | a phenomenological approach |
| topic | Lynch, David 1946- (DE-588)119035316 gnd |
| topic_facet | Lynch, David 1946- |
| url | https://doi.org/10.5040/9798765107065?locatt=label:secondary_bloomsburyCollections |
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