No dandy, no fun looking good as things fall apart

No sooner had the first Dandy entered the scene at the beginning of the nineteenth century than he was declared dead. This enigmatic yet immediately iconic figure would remake an entrance again and again in the decades that followed. Like an elegant harbinger, Dandys arrive in times of crisis when s...

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Hauptverfasser: Dany, Hans-Christian 1966- (VerfasserIn), Knoll, Valérie 1978- (VerfasserIn)
Format: Buch
Sprache:English
Veröffentlicht: London Sternberg Press [2023]
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500 |a Impressum: The book is published as a sequel to the exhibition "No Dandy, No Fun" (curated by Hans-Christian Dany and Valérie Knoll), which was shown at the Kunsthalle Bern from October 17, 2020 to February 14, 2021 
500 |a Includes bibliographical references 
520 3 |a No sooner had the first Dandy entered the scene at the beginning of the nineteenth century than he was declared dead. This enigmatic yet immediately iconic figure would remake an entrance again and again in the decades that followed. Like an elegant harbinger, Dandys arrive in times of crisis when societies are undergoing transformation. Like the hands of a clock, their silhouettes become messengers of change. But they are contours of change that carry no message. While everything is already in flames, they debate the shape of their shoes and sip oysters to combat their depression. For a long time, literature was their playing field. Marcel Duchamp transferred their attitude into the realm art. It is there that Dandyism has to this day run rampant--but as if it were an embarrassing illness to which almost no one wants to admit, yet with which many people are itching to at least flirt. This essay traces out the masked ball of the Dandy and his manner of playing with its rules up to the present day and produces a unique narrative from it: one that offers a view into the future 
520 3 |a Der Dandy maßt sich keine Lösungen an, erklärt auch nichts für falsch, da er gar nichts erklärt. Er spielt einfach anders. Der Essay folgt den Spuren dieses Maskenballs zwischen Darstellungen des gelebten Lebens, literarischen Vorzeichnungen und Vorstellungen in der bildenden Kunst bis in die Gegenwart 
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775 0 8 |i Parallele Sprachausgabe  |n deutsch  |t No dandy, no fun  |z 978-1-915609-16-8 

Datensatz im Suchindex

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spelling Dany, Hans-Christian 1966- Verfasser (DE-588)123601606 aut
No dandy, no fun looking good as things fall apart Hans-Christian Dany, Valérie Knoll
London Sternberg Press [2023]
232 Seiten Illustrationen 18 cm
txt rdacontent
n rdamedia
nc rdacarrier
Impressum: The book is published as a sequel to the exhibition "No Dandy, No Fun" (curated by Hans-Christian Dany and Valérie Knoll), which was shown at the Kunsthalle Bern from October 17, 2020 to February 14, 2021
Includes bibliographical references
No sooner had the first Dandy entered the scene at the beginning of the nineteenth century than he was declared dead. This enigmatic yet immediately iconic figure would remake an entrance again and again in the decades that followed. Like an elegant harbinger, Dandys arrive in times of crisis when societies are undergoing transformation. Like the hands of a clock, their silhouettes become messengers of change. But they are contours of change that carry no message. While everything is already in flames, they debate the shape of their shoes and sip oysters to combat their depression. For a long time, literature was their playing field. Marcel Duchamp transferred their attitude into the realm art. It is there that Dandyism has to this day run rampant--but as if it were an embarrassing illness to which almost no one wants to admit, yet with which many people are itching to at least flirt. This essay traces out the masked ball of the Dandy and his manner of playing with its rules up to the present day and produces a unique narrative from it: one that offers a view into the future
Der Dandy maßt sich keine Lösungen an, erklärt auch nichts für falsch, da er gar nichts erklärt. Er spielt einfach anders. Der Essay folgt den Spuren dieses Maskenballs zwischen Darstellungen des gelebten Lebens, literarischen Vorzeichnungen und Vorstellungen in der bildenden Kunst bis in die Gegenwart
Anthropologie (DE-588)4002230-4 gnd rswk-swf
Dandy (DE-588)4135269-5 gnd rswk-swf
Dandies / Exhibitions
Dandyism / Exhibitions
Dandys - Expositions
Dandysme - Expositions
Dandy (DE-588)4135269-5 s
Anthropologie (DE-588)4002230-4 s
DE-604
Knoll, Valérie 1978- Verfasser (DE-588)1081450290 aut
Kunsthalle Bern (DE-588)1021951-1 isb
Parallele Sprachausgabe deutsch No dandy, no fun 978-1-915609-16-8
spellingShingle Dany, Hans-Christian 1966-
Knoll, Valérie 1978-
No dandy, no fun looking good as things fall apart
Anthropologie (DE-588)4002230-4 gnd
Dandy (DE-588)4135269-5 gnd
subject_GND (DE-588)4002230-4
(DE-588)4135269-5
title No dandy, no fun looking good as things fall apart
title_auth No dandy, no fun looking good as things fall apart
title_exact_search No dandy, no fun looking good as things fall apart
title_full No dandy, no fun looking good as things fall apart Hans-Christian Dany, Valérie Knoll
title_fullStr No dandy, no fun looking good as things fall apart Hans-Christian Dany, Valérie Knoll
title_full_unstemmed No dandy, no fun looking good as things fall apart Hans-Christian Dany, Valérie Knoll
title_short No dandy, no fun
title_sort no dandy no fun looking good as things fall apart
title_sub looking good as things fall apart
topic Anthropologie (DE-588)4002230-4 gnd
Dandy (DE-588)4135269-5 gnd
topic_facet Anthropologie
Dandy
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